Ben Jonson's Volpone, Or the FoxVolpone / William Empson -- The false ending in Volpone / Stephen Greenblatt -- Comic form in Ben Jonson / Leo Salingar -- Comic language in Volpone / L.A. Bea urline -- The double view in Volpone / C.N. Manlove -- Volpone / Anne Barton -- The play of conspirancies in Volpone / William W. E. Slights. |
من داخل الكتاب
النتائج 1-3 من 14
الصفحة 15
After the prologue , the curtain opens on Volpone worshipping his gold , a handsome piece of rhetoric , intended of course to establish the main theme powerfully at once . I agree that the references , though classical rather than ...
After the prologue , the curtain opens on Volpone worshipping his gold , a handsome piece of rhetoric , intended of course to establish the main theme powerfully at once . I agree that the references , though classical rather than ...
الصفحة 45
... of monolithic assurance , consistency and integrity ; he could never publicly have agreed with Yeats that a poet makes rhetoric ( merely rhetoric ) out of his quarrels with others , but poetry out of his quarrels with himself .
... of monolithic assurance , consistency and integrity ; he could never publicly have agreed with Yeats that a poet makes rhetoric ( merely rhetoric ) out of his quarrels with others , but poetry out of his quarrels with himself .
الصفحة 64
And , with " the language " to support him , Jonson deploys his rhetoric in a bacchic extravaganza of impostures of speech - technical jargon , varieties of London slang , Spanish , fairy vocables , Puritan cant , theosophical claptrap ...
And , with " the language " to support him , Jonson deploys his rhetoric in a bacchic extravaganza of impostures of speech - technical jargon , varieties of London slang , Spanish , fairy vocables , Puritan cant , theosophical claptrap ...
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
المحتوى
Volpone | 13 |
The False Ending in Volpone | 29 |
Volpone and | 45 |
حقوق النشر | |
5 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
action Alchemist alchemy already appear Aristophanes attempt audience Bacon become believe Bonario calls Celia characters comedy comes comic conspiracy Corbaccio Corvino course court critics dead death delight disguise effect Elizabethan English expected Face fact false fear feel final flatterers force give given goes gold gulls heir hopes human Humour imagination Jonson kind Lady language later learning lines live lost master means mind moral Mosca nature never offers once opening parasite performance play pleasure plot poet possession praise present reason rhetoric rich satire scene scheme seems sense sexual speaks speech stage success suggests surely taken tells theatrical thee things thou thought trial triumph true truth turn University Venice Volpone Volpone's Voltore wealth whole wife Would-be young