Ben Jonson's Volpone, Or the FoxVolpone / William Empson -- The false ending in Volpone / Stephen Greenblatt -- Comic form in Ben Jonson / Leo Salingar -- Comic language in Volpone / L.A. Bea urline -- The double view in Volpone / C.N. Manlove -- Volpone / Anne Barton -- The play of conspirancies in Volpone / William W. E. Slights. |
من داخل الكتاب
النتائج 1-3 من 27
الصفحة 17
Still , the formula of Erasmus was well within the powers of sympathy of Jonson , and the final lyric of the scene here ( Fools , they are the only nation ) comes off very well . Now- adays many critics assume that the first audiences ...
Still , the formula of Erasmus was well within the powers of sympathy of Jonson , and the final lyric of the scene here ( Fools , they are the only nation ) comes off very well . Now- adays many critics assume that the first audiences ...
الصفحة 118
dialogue in several brief episodes that shape audience expectations going into the play's climactic trial scenes . ... In the play's second scene , for example , Mosca announces to Volpone that Signior Voltore is waiting outside to see ...
dialogue in several brief episodes that shape audience expectations going into the play's climactic trial scenes . ... In the play's second scene , for example , Mosca announces to Volpone that Signior Voltore is waiting outside to see ...
الصفحة 125
The diction and cadence of his speeches , borrowed from heroic romance , provide one final humorous touch in the scene . Like the lyricism of Catullus and the eroticism of Ovid , the heroism of Spenser's Red - Crosse Knight is ridicu- ...
The diction and cadence of his speeches , borrowed from heroic romance , provide one final humorous touch in the scene . Like the lyricism of Catullus and the eroticism of Ovid , the heroism of Spenser's Red - Crosse Knight is ridicu- ...
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المحتوى
Volpone | 13 |
The False Ending in Volpone | 29 |
Volpone and | 45 |
حقوق النشر | |
5 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
action Alchemist alchemy already appear Aristophanes attempt audience Bacon become believe Bonario calls Celia characters comedy comes comic conspiracy Corbaccio Corvino course court critics dead death delight disguise effect Elizabethan English expected Face fact false fear feel final flatterers force give given goes gold gulls heir hopes human Humour imagination Jonson kind Lady language later learning lines live lost master means mind moral Mosca nature never offers once opening parasite performance play pleasure plot poet possession praise present reason rhetoric rich satire scene scheme seems sense sexual speaks speech stage success suggests surely taken tells theatrical thee things thou thought trial triumph true truth turn University Venice Volpone Volpone's Voltore wealth whole wife Would-be young