Ben Jonson's Volpone, Or the FoxVolpone / William Empson -- The false ending in Volpone / Stephen Greenblatt -- Comic form in Ben Jonson / Leo Salingar -- Comic language in Volpone / L.A. Bea urline -- The double view in Volpone / C.N. Manlove -- Volpone / Anne Barton -- The play of conspirancies in Volpone / William W. E. Slights. |
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النتائج 1-3 من 25
الصفحة 54
According to C. H. Herford , his opening speech is a " hymn " which " transfigures avarice with the glamour of religion and idealism . " To this comment , L. C. Knights has objected that it omits the essential , Jonson's irony ...
According to C. H. Herford , his opening speech is a " hymn " which " transfigures avarice with the glamour of religion and idealism . " To this comment , L. C. Knights has objected that it omits the essential , Jonson's irony ...
الصفحة 68
Bobadill , Tucca , and Ananias receive this kind of reduction , too , in a single trick of speech . By the last act of Alchemist Jonson is sure to get a laugh , and perhaps some appreciation for his skill , from a series of mere ...
Bobadill , Tucca , and Ananias receive this kind of reduction , too , in a single trick of speech . By the last act of Alchemist Jonson is sure to get a laugh , and perhaps some appreciation for his skill , from a series of mere ...
الصفحة 126
As with Volpone's masterful obfuscation in the mountebank scene , Voltore's speeches in the present instance flow into the ... ( 4.5.44-52 ) The functional words in the speech are a series of nouns- " shame , " " mal- ice , " " rage ...
As with Volpone's masterful obfuscation in the mountebank scene , Voltore's speeches in the present instance flow into the ... ( 4.5.44-52 ) The functional words in the speech are a series of nouns- " shame , " " mal- ice , " " rage ...
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المحتوى
Volpone | 13 |
The False Ending in Volpone | 29 |
Volpone and | 45 |
حقوق النشر | |
5 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
action Alchemist alchemy already appear Aristophanes attempt audience Bacon become believe Bonario calls Celia characters comedy comes comic conspiracy Corbaccio Corvino course court critics dead death delight disguise effect Elizabethan English expected Face fact false fear feel final flatterers force give given goes gold gulls heir hopes human Humour imagination Jonson kind Lady language later learning lines live lost master means mind moral Mosca nature never offers once opening parasite performance play pleasure plot poet possession praise present reason rhetoric rich satire scene scheme seems sense sexual speaks speech stage success suggests surely taken tells theatrical thee things thou thought trial triumph true truth turn University Venice Volpone Volpone's Voltore wealth whole wife Would-be young