Ben Jonson's Volpone, Or the FoxVolpone / William Empson -- The false ending in Volpone / Stephen Greenblatt -- Comic form in Ben Jonson / Leo Salingar -- Comic language in Volpone / L.A. Bea urline -- The double view in Volpone / C.N. Manlove -- Volpone / Anne Barton -- The play of conspirancies in Volpone / William W. E. Slights. |
من داخل الكتاب
النتائج 1-3 من 18
الصفحة 53
The grotesque interlude Mosca has devised for Volpone's private delectation is taken ( with reinforcements out of The Praise of Folly ) from Lucian's dialogue of The Dream , or The Cock , which again combines economic and philo- ...
The grotesque interlude Mosca has devised for Volpone's private delectation is taken ( with reinforcements out of The Praise of Folly ) from Lucian's dialogue of The Dream , or The Cock , which again combines economic and philo- ...
الصفحة 119
As for Voltore , his efforts at conspiracy are totally self - defeating ; he pretends with Mosca to be taken in by Volpone's cant , while in fact it is he who is being taken in . The same pattern of entwined conspiracies is repeated in ...
As for Voltore , his efforts at conspiracy are totally self - defeating ; he pretends with Mosca to be taken in by Volpone's cant , while in fact it is he who is being taken in . The same pattern of entwined conspiracies is repeated in ...
الصفحة 124
Each of these terms , taken from his speech of self - chastize- ment , stresses the intellectual pettiness and whimsicality of Volpone's en- terprise . Like the villainies of Macbeth , Volpone's contemporary on the tragic stage ...
Each of these terms , taken from his speech of self - chastize- ment , stresses the intellectual pettiness and whimsicality of Volpone's en- terprise . Like the villainies of Macbeth , Volpone's contemporary on the tragic stage ...
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
المحتوى
Volpone | 13 |
The False Ending in Volpone | 29 |
Volpone and | 45 |
حقوق النشر | |
5 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
action Alchemist alchemy already appear Aristophanes attempt audience Bacon become believe Bonario calls Celia characters comedy comes comic conspiracy Corbaccio Corvino course court critics dead death delight disguise effect Elizabethan English expected Face fact false fear feel final flatterers force give given goes gold gulls heir hopes human Humour imagination Jonson kind Lady language later learning lines live lost master means mind moral Mosca nature never offers once opening parasite performance play pleasure plot poet possession praise present reason rhetoric rich satire scene scheme seems sense sexual speaks speech stage success suggests surely taken tells theatrical thee things thou thought trial triumph true truth turn University Venice Volpone Volpone's Voltore wealth whole wife Would-be young