Ben Jonson's Volpone, Or the FoxVolpone / William Empson -- The false ending in Volpone / Stephen Greenblatt -- Comic form in Ben Jonson / Leo Salingar -- Comic language in Volpone / L.A. Bea urline -- The double view in Volpone / C.N. Manlove -- Volpone / Anne Barton -- The play of conspirancies in Volpone / William W. E. Slights. |
من داخل الكتاب
النتائج 1-3 من 26
الصفحة 14
At first I thought I knew an immediate reply : that Volpone cannot be a miser , because he offers to lavish upon Celia his whole fortune — he is a " dashing " lover , which was an equally familiar type , and a quite different one .
At first I thought I knew an immediate reply : that Volpone cannot be a miser , because he offers to lavish upon Celia his whole fortune — he is a " dashing " lover , which was an equally familiar type , and a quite different one .
الصفحة 33
Of course , he plays for others as well , for the whole flock of gulls , but he would not be able to function at all had he not first performed the act of theatrical self - consciousness manifested here . He hears what he sounds like ...
Of course , he plays for others as well , for the whole flock of gulls , but he would not be able to function at all had he not first performed the act of theatrical self - consciousness manifested here . He hears what he sounds like ...
الصفحة 66
In this section , which Jonson summarised as a whole , Bacon was not deal- ing with any picturesque illustration for argument's sake , or any freakish sideline , but with a major entanglement of contemporary thought .
In this section , which Jonson summarised as a whole , Bacon was not deal- ing with any picturesque illustration for argument's sake , or any freakish sideline , but with a major entanglement of contemporary thought .
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
المحتوى
Volpone | 13 |
The False Ending in Volpone | 29 |
Volpone and | 45 |
حقوق النشر | |
5 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
action Alchemist alchemy already appear Aristophanes attempt audience Bacon become believe Bonario calls Celia characters comedy comes comic conspiracy Corbaccio Corvino course court critics dead death delight disguise effect Elizabethan English expected Face fact false fear feel final flatterers force give given goes gold gulls heir hopes human Humour imagination Jonson kind Lady language later learning lines live lost master means mind moral Mosca nature never offers once opening parasite performance play pleasure plot poet possession praise present reason rhetoric rich satire scene scheme seems sense sexual speaks speech stage success suggests surely taken tells theatrical thee things thou thought trial triumph true truth turn University Venice Volpone Volpone's Voltore wealth whole wife Would-be young