John Dennis: His Life and Criticism

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Columbia University Press, 1911 - 229 من الصفحات

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الصفحة 184 - Shakespeare, who many times has written better than any poet, in any language, is yet so far from writing wit always, or expressing that wit according to the dignity of the subject, that he writes, in many places, below the dullest writers of ours, or any precedent age.
الصفحة 97 - Should Dennis publish, you had stabb'd your brother, Lampoon'd your Monarch, or debauch'd your mother ; Say, what revenge on Dennis can be had ? Too dull for laughter, for reply too mad : On one so poor you cannot take the law ; On one so old your sword you scorn to draw ; Uncag'd then let the harmless monster rage, Secure in dulness, madness, want, and age.
الصفحة 86 - Soft were my numbers; who could take offence, While pure Description held the place of Sense? Like gentle Fanny's was my flow'ry theme, A painted mistress, or a purling stream.
الصفحة 184 - He is the very Janus of poets ; he wears almost everywhere two faces ; and you have scarce begun to admire the one, ere you despise the other.
الصفحة 130 - But that benefit which I consider most in it, because I have not seldom found it, is, that it bounds and circumscribes the fancy : for imagination in a poet is a faculty so wild and lawless, that like an high-ranging spaniel, it must have clogs tied to it, lest it outrun the judgment.
الصفحة 38 - A COMEDY. AS IT IS ACTED AT THE THEATRE ROYAL, IN DRURY LANE, BY HIS MAJESTY'S SERVANTS.
الصفحة 160 - Therefore, because the acts or events of true history have not that magnitude which satisfieth the mind of man, poesy feigneth acts and events greater and more heroical : because true history propoundeth the successes and issues of actions not so agreeable to the merits of virtue and vice, therefore poesy feigns them more just in retribution, and more according to revealed providence...
الصفحة 204 - The grand store-houses of enthusiastic and meditative Imagination, of poetical, as contra-distinguished from human and dramatic Imagination, are the prophetic and lyrical parts of the Holy Scriptures, and the works of Milton ; to which I cannot forbear to add those of Spenser. I select these writers in preference to those of ancient Greece and Rome, because the anthropomorphitism of the Pagan religion subjected the minds of the greatest poets...
الصفحة 144 - Tasso, Mazzoni, and others, teaches what the laws are of a true epic poem, what of a dramatic, what of a lyric, what decorum is, which is the grand masterpiece to observe.
الصفحة 182 - For the diversity distinguishes it from heroic harmony, and by bringing it nearer to common use makes it more proper to gain attention, and more fit for action and dialogue. Such verse we make when we are writing prose; we make such verse in common conversation.

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