After Franklin: The Emergence of Autobiography in Post-revolutionary America, 1780-1830University Press of New England, 2001 - 241 من الصفحات Although much has been written about Benjamin Franklin’s Autobiography, other writers of what Stephen Arch calls “self-biographies” in post-revolutionary America have received scant scholarly attention. This rich variety of texts dramatically shows the complex nature of 19th-century concepts of identity. Arguing that “autobiography” is a modern invention, Arch shows its emergence in the older, conservative self-biographies of Alexander Graydon, Benjamin Rush, and Ethan Allen and in the newer, more progressive, and even radical self-biographies of K. White, Elizabeth Fisher, Stephen Burroughs, and John Fitch. Describing the evolution of a concept as elastic as “the self” is not easy, but Arch offers a unique and imaginative study of the emergence of a specifically modern American identity. |
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الصفحة 100
... sentimental language places him squarely within a group of fictional characters who domi- nated the Anglo - American literary scene well into the 1780s : Harley ( The Man of Feeling , 1771 ) , Mr. Yorick ( A Sentimental Journey , 1768 ) ...
... sentimental language places him squarely within a group of fictional characters who domi- nated the Anglo - American literary scene well into the 1780s : Harley ( The Man of Feeling , 1771 ) , Mr. Yorick ( A Sentimental Journey , 1768 ) ...
الصفحة 117
... sentimental or sympathetic perspective of family members and friends . Modern - day readers would tend to read the letters not written by Burroughs himself as weak evidence to support his explanation of his enigmatical self . Bur ...
... sentimental or sympathetic perspective of family members and friends . Modern - day readers would tend to read the letters not written by Burroughs himself as weak evidence to support his explanation of his enigmatical self . Bur ...
الصفحة 118
... sentimental reader is another . Of course , this latter reader , in order to be a “ friend , ” must be sentimental ; reading objectively , he or she will see Burroughs's char- acter only from the outside , as a counterfeiter , a rapist ...
... sentimental reader is another . Of course , this latter reader , in order to be a “ friend , ” must be sentimental ; reading objectively , he or she will see Burroughs's char- acter only from the outside , as a counterfeiter , a rapist ...
المحتوى
4 | 38 |
Travels through Life | 74 |
Ethan Allen and the Republican Self | 93 |
حقوق النشر | |
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طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
Alexander Graydon Allen's Narrative American Literature American Revolution argue autobiography behavior Benjamin Franklin Benjamin Rush biography Boston British Burroughs Burroughs's Cambridge captivity Cathy Davidson character Charles Brockden Brown claims conception counterfeit course Crèvecoeur's critics culture discourse Early American eccentric eighteenth century emergence Emerson Ethan Allen example experience father Federalist fictional Fisher Fitch Fliegelman genre of autobiography Graydon's Memoirs Grimes human ideas identity imagines independent individual insists invention James James's Jefferson John Adams John Fitch language Letters liberty Library of America Literary History mind modern moral Nantucket Nantucket Island narrator nature nineteenth century novel original Oxford University Press P. T. Barnum Philadelphia political Princeton printed published readers remarks Reprint republican Revolutionary America romantic Rush's says self-biography selfhood sense sentimental singular social society steamboat Stephen Burroughs story tells texts Thomas Thoreau tion tradition Travels virtue White William women writing written wrote York