The Theory of Criticism from Plato to the Present: A ReaderThis book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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الصفحة 64
Non - correspondence in this respect is the precondition of the artistic illusion , an illusion absolutely divorced from any such correspondence . On the other hand and inseparable from it is the fact that the aesthetic illusion is only ...
Non - correspondence in this respect is the precondition of the artistic illusion , an illusion absolutely divorced from any such correspondence . On the other hand and inseparable from it is the fact that the aesthetic illusion is only ...
الصفحة 65
The objectivity of the artistic reflection of reality depends on the correct reflection of the totality . The artistic correctness of a detail thus has nothing to do with whether the detail corresponds to any similar detail in reality .
The objectivity of the artistic reflection of reality depends on the correct reflection of the totality . The artistic correctness of a detail thus has nothing to do with whether the detail corresponds to any similar detail in reality .
الصفحة 66
On the other hand , the artistic truth of a detail which corresponds photographically to life is purely accidental , arbitrary and subjective . When , for example , the detail is not directly and obviously necessary to the context ...
On the other hand , the artistic truth of a detail which corresponds photographically to life is purely accidental , arbitrary and subjective . When , for example , the detail is not directly and obviously necessary to the context ...
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المحتوى
INTRODUCTION | 1 |
REPRESENTATION | 7 |
MIMESIS AND REALISM | 40 |
حقوق النشر | |
23 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
according action actual aesthetic appear artistic beauty become called century character common complete concept concerned consider criticism culture described determine direct discourse distinction effect elements emotion example existence experience expression fact feeling force function give given human ideas ideology images imagination imitation important individual interest interpretation kind knowledge language laws less linguistic literary literature living London Marxism material matter meaning mind moral nature never novel object observation organization original particular passions person philosophical play poem poet poetic poetry possible practice present Press principle produced question reader reading reality reason reference reflection relation represent representation rhetoric rules sense signifier simply social society speak structure style symbolic theory things thought tradition true truth understanding University whole writing