The Theory of Criticism from Plato to the Present: A ReaderThis book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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الصفحة 18
( B ) PLOTINUS Enneads [ 1.6.2-3 , ' BEAUTY ' ) Let us , then , go back to the source , and indicate at once the Principle that bestows beauty on material things .
( B ) PLOTINUS Enneads [ 1.6.2-3 , ' BEAUTY ' ) Let us , then , go back to the source , and indicate at once the Principle that bestows beauty on material things .
الصفحة 19
And on what has thus been compacted to unity , Beauty enthrones itself , giving itself to the parts as to the sum : when it lights on some natural unity , a thing of like parts , then it gives itself to that whole .
And on what has thus been compacted to unity , Beauty enthrones itself , giving itself to the parts as to the sum : when it lights on some natural unity , a thing of like parts , then it gives itself to that whole .
الصفحة 20
It concerns us , then , to try to see and say , for ourselves and as far as such matters may be told , how the Beauty of the divine Intellect and of the Intellectual Kosmos may be revealed to contemplation .
It concerns us , then , to try to see and say , for ourselves and as far as such matters may be told , how the Beauty of the divine Intellect and of the Intellectual Kosmos may be revealed to contemplation .
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المحتوى
INTRODUCTION | 1 |
REPRESENTATION | 7 |
MIMESIS AND REALISM | 40 |
حقوق النشر | |
23 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
according action actual aesthetic appear artistic beauty become called century character common complete concept concerned consider criticism culture described determine direct discourse distinction effect elements emotion example existence experience expression fact feeling force function give given human ideas ideology images imagination imitation important individual interest interpretation kind knowledge language laws less linguistic literary literature living London Marxism material matter meaning mind moral nature never novel object observation organization original particular passions person philosophical play poem poet poetic poetry possible practice present Press principle produced question reader reading reality reason reference reflection relation represent representation rhetoric rules sense signifier simply social society speak structure style symbolic theory things thought tradition true truth understanding University whole writing