The Theory of Criticism from Plato to the Present: A ReaderThis book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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الصفحة 8
This approach is what Zola called ' naturalism ' . At the other end of the spectrum is the mythopoeic view that literature creates its own reality . An extreme form of this idea is Art for Art's Sake , which sees literature as another ...
This approach is what Zola called ' naturalism ' . At the other end of the spectrum is the mythopoeic view that literature creates its own reality . An extreme form of this idea is Art for Art's Sake , which sees literature as another ...
الصفحة 132
On the contrary a slow imagination , maketh that defect , or fault of the mind , which is commonly called DULLNESS , stupidity , and sometimes by other names that signify slowness of motion , or difficulty to be moved .
On the contrary a slow imagination , maketh that defect , or fault of the mind , which is commonly called DULLNESS , stupidity , and sometimes by other names that signify slowness of motion , or difficulty to be moved .
الصفحة 462
called interpellation or hailing , and which can be imagined along the lines of the most commonplace everyday police ( or other ) hailing : ' Hey , you there ! ' [ ... ] As the formal structure of all ideology is always the same ...
called interpellation or hailing , and which can be imagined along the lines of the most commonplace everyday police ( or other ) hailing : ' Hey , you there ! ' [ ... ] As the formal structure of all ideology is always the same ...
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المحتوى
INTRODUCTION | 1 |
REPRESENTATION | 7 |
MIMESIS AND REALISM | 40 |
حقوق النشر | |
23 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
according action actual aesthetic appear artistic beauty become called century character common complete concept concerned consciousness consider criticism culture described determine direct discourse distinction effect elements emotion example existence experience expression fact feeling force function give given human ideas ideology images imagination imitation important individual interest interpretation kind knowledge language laws less linguistic literary literature living London Marxism material matter meaning mind moral nature never novel object observation organization original particular passions person philosophical play poem poet poetic poetry possible practice present Press principle produced question reader reading reality reason reference reflection relation represent representation rhetoric sense signifier simply social society speak structure style symbolic theory things thought tradition true truth understanding University whole writing