The Theory of Criticism from Plato to the Present: A ReaderRaman Selden Longman, 1988 - 560 من الصفحات This book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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الصفحة 78
... century and the late eighteenth century and is associated with the gradual shift from a dominant Classicism to an ascendant Romanticism . The classical idea that literature imitates nature and truth took on a radically different meaning ...
... century and the late eighteenth century and is associated with the gradual shift from a dominant Classicism to an ascendant Romanticism . The classical idea that literature imitates nature and truth took on a radically different meaning ...
الصفحة 425
... century the profound and elastic genius of Germany encountered the age of philosophical compositions and of cosmopolitan criticism . There was such a contrariety when in the seventeenth century the rude and lonely English genius tried ...
... century the profound and elastic genius of Germany encountered the age of philosophical compositions and of cosmopolitan criticism . There was such a contrariety when in the seventeenth century the rude and lonely English genius tried ...
الصفحة 527
... century , drawing in new writers from varied social origins but giving them , through its majority institutions , a general homogeneity . This general situation has persisted , but already in the nineteenth century there were signs of a ...
... century , drawing in new writers from varied social origins but giving them , through its majority institutions , a general homogeneity . This general situation has persisted , but already in the nineteenth century there were signs of a ...
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abridged extracts actants aesthetic function Aristotle artistic Barthes beauty called century character classical Cleanth Brooks common concept consciousness culture D. H. Lawrence discourse effect Eliot emotion Erich Auerbach Essays example experience expression F. R. Leavis fact feeling fiction flâneur genius human I. A. Richards ideas ideology illocutionary acts images imagination imitation individual interpretation judgment kind knowledge language Leavis linguistic Literary Criticism literature London meaning metaphor metonymic mind modern moral narrative nature novel novelist object original particular passions person philosophical poem poet poet's poetic poetry present produced question Raymond Williams reader reading realism reality reflection relation representation rhetoric Russian Formalism semiotic sense signifier social society soul speak speech structuralist structure style sublime symbolic T. S. Eliot theory things thought tradition tragedy trans true truth understanding unity University whole words writing