The Theory of Criticism from Plato to the Present: A ReaderThis book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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الصفحة 78
1 CHAPTER 3 NATURE AND TRUTH One of the major transitions in the history of criticism occurred between the late seventeenth century and the late eighteenth century and is associated with the gradual shift from a dominant Classicism to ...
1 CHAPTER 3 NATURE AND TRUTH One of the major transitions in the history of criticism occurred between the late seventeenth century and the late eighteenth century and is associated with the gradual shift from a dominant Classicism to ...
الصفحة 425
There was such a concord when in the seventeenth century the sociable character and the conversational aptitude , innate in France , encountered the drawing - room manners and the epoch of oratorical analysis ; when in the nineteenth ...
There was such a concord when in the seventeenth century the sociable character and the conversational aptitude , innate in France , encountered the drawing - room manners and the epoch of oratorical analysis ; when in the nineteenth ...
الصفحة 527
The formation in the eighteenth century of an organized middle - class audience can be seen as in part due to certain writers from the same social group , but also , and perhaps mainly , as an independent formation which then drew these ...
The formation in the eighteenth century of an organized middle - class audience can be seen as in part due to certain writers from the same social group , but also , and perhaps mainly , as an independent formation which then drew these ...
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المحتوى
INTRODUCTION | 1 |
REPRESENTATION | 7 |
MIMESIS AND REALISM | 40 |
حقوق النشر | |
23 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
according action actual aesthetic appear artistic beauty become called century character common complete concept concerned consciousness consider criticism culture described determine direct discourse distinction effect elements emotion example existence experience expression fact feeling force function give given human ideas ideology images imagination imitation important individual interest interpretation kind knowledge language laws less linguistic literary literature living London Marxism material matter meaning mind moral nature never novel object observation organization original particular passions person philosophical play poem poet poetic poetry possible practice present Press principle produced question reader reading reality reason reference reflection relation represent representation rhetoric sense signifier simply social society speak structure style symbolic theory things thought tradition true truth understanding University whole writing