The Theory of Criticism from Plato to the Present: A ReaderRaman Selden Longman, 1988 - 560 من الصفحات This book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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الصفحة 61
... complete penetration into the special ' world ' of the work of art , results from the fact that the work by its very nature offers a truer , more complete , more vivid and more dynamic reflection of reality than the receptant otherwise ...
... complete penetration into the special ' world ' of the work of art , results from the fact that the work by its very nature offers a truer , more complete , more vivid and more dynamic reflection of reality than the receptant otherwise ...
الصفحة 68
... complete conversion succeeds then his art has been more or less expended . Once he has become the bank- clerk , doctor or general concerned he will need no more art than any of these people need ' in real life ' . This complete ...
... complete conversion succeeds then his art has been more or less expended . Once he has become the bank- clerk , doctor or general concerned he will need no more art than any of these people need ' in real life ' . This complete ...
الصفحة 464
... complete view of the historical complexity : its point of view is completely significant . We have already seen that the work is defined by its lack , its incompleteness . We are now stating that the work is complete , that is to say ...
... complete view of the historical complexity : its point of view is completely significant . We have already seen that the work is defined by its lack , its incompleteness . We are now stating that the work is complete , that is to say ...
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abridged extracts actants aesthetic function Aristotle artistic Barthes beauty called century character classical Cleanth Brooks common concept consciousness culture D. H. Lawrence discourse effect Eliot emotion Erich Auerbach Essays example experience expression F. R. Leavis fact feeling fiction flâneur genius human I. A. Richards ideas ideology illocutionary acts images imagination imitation individual interpretation judgment kind knowledge language Leavis linguistic Literary Criticism literature London meaning metaphor metonymic mind modern moral narrative nature novel novelist object original particular passions person philosophical poem poet poet's poetic poetry present produced question Raymond Williams reader reading realism reality reflection relation representation rhetoric Russian Formalism semiotic sense signifier social society soul speak speech structuralist structure style sublime symbolic T. S. Eliot theory things thought tradition tragedy trans true truth understanding unity University whole words writing