The Theory of Criticism from Plato to the Present: A ReaderThis book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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الصفحة 230
It is a fact that in eclipses of consciousness in dreams , narcotic states , and cases of insanity - there come to the surface psychic products or contents that show all the traits of primitive levels of psychic development .
It is a fact that in eclipses of consciousness in dreams , narcotic states , and cases of insanity - there come to the surface psychic products or contents that show all the traits of primitive levels of psychic development .
الصفحة 293
The hero's consciousness is given as a separate , a foreign consciousness , but at the same time it is not objectified , it does not become closed off , it is not made the simple object of the author's consciousness .
The hero's consciousness is given as a separate , a foreign consciousness , but at the same time it is not objectified , it does not become closed off , it is not made the simple object of the author's consciousness .
الصفحة 437
consciousness and the highest forms of unity and coherence of the individual consciousness of the creator . Important cultural works could no doubt have a critical , even oppositional , character in relation to the over - all society in ...
consciousness and the highest forms of unity and coherence of the individual consciousness of the creator . Important cultural works could no doubt have a critical , even oppositional , character in relation to the over - all society in ...
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according action aesthetic appear artistic beauty become called century character common complete concept concerned consciousness consider criticism culture described determine direct discourse distinction effect elements emotion example existence experience expression fact feeling force function give given human ideas ideology images imagination imitation important individual interest interpretation kind knowledge language laws less linguistic literary literature living London Marxism material matter meaning mind moral nature never novel object observation organization original particular passions person philosophical play poem poet poetic poetry possible practice present Press principle produced question reader reading reality reason reference reflection relation represent representation rhetoric sense signifier simply social society speak speech structure style symbolic theory things thought tradition true truth understanding University whole writing