The Theory of Criticism from Plato to the Present: A ReaderRaman Selden Longman, 1988 - 560 من الصفحات This book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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الصفحة 492
... criticism is often covert social criticism , even though such critics are usually deeply committed to a ' disinterested ' and universal humanity . One evident strength of the critics in this section is their refusal to separate moral ...
... criticism is often covert social criticism , even though such critics are usually deeply committed to a ' disinterested ' and universal humanity . One evident strength of the critics in this section is their refusal to separate moral ...
الصفحة 494
... Criticism and Politics ( Standford , Cal .: Standford UP , 1980 ) . D. J. Gordon , D. H. Lawrence as a Literary Critic ( New Haven and London : Yale UP , 1966 ) . John Holloway , The Victorian Sage ( London : Chatto & Windus , 1961 ) ...
... Criticism and Politics ( Standford , Cal .: Standford UP , 1980 ) . D. J. Gordon , D. H. Lawrence as a Literary Critic ( New Haven and London : Yale UP , 1966 ) . John Holloway , The Victorian Sage ( London : Chatto & Windus , 1961 ) ...
الصفحة 511
... critic , that criticism would not have had its excellence . And when the suspicion takes such form as the following , some answer must clearly be attempted : Yet he was so conscious of what , for him , poetry was for , that he could not ...
... critic , that criticism would not have had its excellence . And when the suspicion takes such form as the following , some answer must clearly be attempted : Yet he was so conscious of what , for him , poetry was for , that he could not ...
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abridged extracts actants aesthetic function Aristotle artistic Barthes beauty called century character classical Cleanth Brooks common concept consciousness culture D. H. Lawrence discourse effect Eliot emotion Erich Auerbach Essays example experience expression F. R. Leavis fact feeling fiction flâneur genius human I. A. Richards ideas ideology illocutionary acts images imagination imitation individual interpretation judgment kind knowledge language Leavis linguistic Literary Criticism literature London meaning metaphor metonymic mind modern moral narrative nature novel novelist object original particular passions person philosophical poem poet poet's poetic poetry present produced question Raymond Williams reader reading realism reality reflection relation representation rhetoric Russian Formalism semiotic sense signifier social society soul speak speech structuralist structure style sublime symbolic T. S. Eliot theory things thought tradition tragedy trans true truth understanding unity University whole words writing