The Theory of Criticism from Plato to the Present: A ReaderRaman Selden Longman, 1988 - 560 من الصفحات This book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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الصفحة 31
... pictures and sculpture , and described a little the symbolism in poetry , but did not describe at all the * continuous indefinable symbolism which is the substance of all style Imaginative Representation 31 (F) W B Yeats.
... pictures and sculpture , and described a little the symbolism in poetry , but did not describe at all the * continuous indefinable symbolism which is the substance of all style Imaginative Representation 31 (F) W B Yeats.
الصفحة 146
... described to be quite parallel with it , where it overlays the thing it described and there is a certain excess , there you have the play of fancy - that I grant is inferior to imagination . But where the analogy is every bit of it ...
... described to be quite parallel with it , where it overlays the thing it described and there is a certain excess , there you have the play of fancy - that I grant is inferior to imagination . But where the analogy is every bit of it ...
الصفحة 526
... described in the second half of this book are , so far , tending to cause the working classes to lose , culturally , much that was valuable and to gain less than their new situation should have allowed . To the extent that I can judge ...
... described in the second half of this book are , so far , tending to cause the working classes to lose , culturally , much that was valuable and to gain less than their new situation should have allowed . To the extent that I can judge ...
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abridged extracts actants aesthetic function Aristotle artistic Barthes beauty called century character classical Cleanth Brooks common concept consciousness culture D. H. Lawrence discourse effect Eliot emotion Erich Auerbach Essays example experience expression F. R. Leavis fact feeling fiction flâneur genius human I. A. Richards ideas ideology illocutionary acts images imagination imitation individual interpretation judgment kind knowledge language Leavis linguistic Literary Criticism literature London meaning metaphor metonymic mind modern moral narrative nature novel novelist object original particular passions person philosophical poem poet poet's poetic poetry present produced question Raymond Williams reader reading realism reality reflection relation representation rhetoric Russian Formalism semiotic sense signifier social society soul speak speech structuralist structure style sublime symbolic T. S. Eliot theory things thought tradition tragedy trans true truth understanding unity University whole words writing