The Theory of Criticism from Plato to the Present: A ReaderRaman Selden Longman, 1988 - 560 من الصفحات This book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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الصفحة 5
... determine or condition the production of literary texts ? Is literature primarily a form of moral experience ? Do the moral ideas or the ideologies ( conscious or unconscious ) of writers determine the nature of their writings ? V. The ...
... determine or condition the production of literary texts ? Is literature primarily a form of moral experience ? Do the moral ideas or the ideologies ( conscious or unconscious ) of writers determine the nature of their writings ? V. The ...
الصفحة 110
... determine them to this or that particular existence . By this way of abstraction they are made capable of representing more individuals than one : each of which , having in it a conformity to that abstract idea , is ( as we call it ) of ...
... determine them to this or that particular existence . By this way of abstraction they are made capable of representing more individuals than one : each of which , having in it a conformity to that abstract idea , is ( as we call it ) of ...
الصفحة 208
... determine the scope , whereas alteration and reproduction determine the borders of a genre - structure . The interpretative reception of a text always presupposes the context of experience of aesthetic perception : the question of the ...
... determine the scope , whereas alteration and reproduction determine the borders of a genre - structure . The interpretative reception of a text always presupposes the context of experience of aesthetic perception : the question of the ...
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abridged extracts actants aesthetic function Aristotle artistic Barthes beauty called century character classical Cleanth Brooks common concept consciousness culture D. H. Lawrence discourse effect Eliot emotion Erich Auerbach Essays example experience expression F. R. Leavis fact feeling fiction flâneur genius human I. A. Richards ideas ideology illocutionary acts images imagination imitation individual interpretation judgment kind knowledge language Leavis linguistic Literary Criticism literature London meaning metaphor metonymic mind modern moral narrative nature novel novelist object original particular passions person philosophical poem poet poet's poetic poetry present produced question Raymond Williams reader reading realism reality reflection relation representation rhetoric Russian Formalism semiotic sense signifier social society soul speak speech structuralist structure style sublime symbolic T. S. Eliot theory things thought tradition tragedy trans true truth understanding unity University whole words writing