The Theory of Criticism from Plato to the Present: A ReaderRaman Selden Longman, 1988 - 560 من الصفحات This book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
من داخل الكتاب
النتائج 1-3 من 58
الصفحة 364
... discourse , except that Benveniste includes in the category of discourse everything that Aristotle called direct imitation , and which actually consists , at least as far as its verbal part is concerned , of discourse attributed by the ...
... discourse , except that Benveniste includes in the category of discourse everything that Aristotle called direct imitation , and which actually consists , at least as far as its verbal part is concerned , of discourse attributed by the ...
الصفحة 365
... discourse so defined are almost never to be found in their pure state in any text : there is almost always a certain proportion of narrative in discourse , a certain amount of discourse in narrative . In fact , the symmetry stops here ...
... discourse so defined are almost never to be found in their pure state in any text : there is almost always a certain proportion of narrative in discourse , a certain amount of discourse in narrative . In fact , the symmetry stops here ...
الصفحة 366
... discourse . [ . . . ] The only moment when the balance between narrative and discourse seems to have been assumed with a perfectly good conscience , without either scruple or ostentation , is obviously in the nineteenth century , the ...
... discourse . [ . . . ] The only moment when the balance between narrative and discourse seems to have been assumed with a perfectly good conscience , without either scruple or ostentation , is obviously in the nineteenth century , the ...
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
abridged extracts actants aesthetic function Aristotle artistic Barthes beauty called century character classical Cleanth Brooks common concept consciousness culture D. H. Lawrence discourse effect Eliot emotion Erich Auerbach Essays example experience expression F. R. Leavis fact feeling fiction flâneur genius human I. A. Richards ideas ideology illocutionary acts images imagination imitation individual interpretation judgment kind knowledge language Leavis linguistic Literary Criticism literature London meaning metaphor metonymic mind modern moral narrative nature novel novelist object original particular passions person philosophical poem poet poet's poetic poetry present produced question Raymond Williams reader reading realism reality reflection relation representation rhetoric Russian Formalism semiotic sense signifier social society soul speak speech structuralist structure style sublime symbolic T. S. Eliot theory things thought tradition tragedy trans true truth understanding unity University whole words writing