The Theory of Criticism from Plato to the Present: A ReaderThis book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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الصفحة 364
This division corresponds more or less to the distinction proposed by Émile Benveniste between narrative ( or story ) and discourse , except that Benveniste includes in the category of discourse everything that Aristotle called direct ...
This division corresponds more or less to the distinction proposed by Émile Benveniste between narrative ( or story ) and discourse , except that Benveniste includes in the category of discourse everything that Aristotle called direct ...
الصفحة 365
coincidence of the event described with the instance of discourse that describes it . ' Conversely , the objectivity of narrative is defined by the absence of any reference to the narrator : ' As a matter of fact , there is then no ...
coincidence of the event described with the instance of discourse that describes it . ' Conversely , the objectivity of narrative is defined by the absence of any reference to the narrator : ' As a matter of fact , there is then no ...
الصفحة 366
The only moment when the balance between narrative and discourse seems to have been assumed with a persectly good conscience , without either scruple or ostentation , is obviously in the nineteenth century , the classical age of ...
The only moment when the balance between narrative and discourse seems to have been assumed with a persectly good conscience , without either scruple or ostentation , is obviously in the nineteenth century , the classical age of ...
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المحتوى
INTRODUCTION | 1 |
REPRESENTATION | 7 |
MIMESIS AND REALISM | 40 |
حقوق النشر | |
23 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
according action actual aesthetic appear artistic beauty become called century character common complete concept concerned consider criticism culture described determine direct discourse distinction effect elements emotion example existence experience expression fact feeling force function give given human ideas ideology images imagination imitation important individual interest interpretation kind knowledge language laws less linguistic literary literature living London Marxism material matter meaning mind moral nature never novel object observation organization original particular passions person philosophical play poem poet poetic poetry possible practice present Press principle produced question reader reading reality reason reference reflection relation represent representation rhetoric rules sense signifier simply social society speak structure style symbolic theory things thought tradition true truth understanding University whole writing