The Theory of Criticism from Plato to the Present: A ReaderRaman Selden Longman, 1988 - 560 من الصفحات This book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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الصفحة 148
... elements ' . They are also the most primitive , and for that reason commonly among those which are most inhibited , most curtailed and subordinated to super - imposed purposes . We rarely let a colour affect us purely as a colour , we ...
... elements ' . They are also the most primitive , and for that reason commonly among those which are most inhibited , most curtailed and subordinated to super - imposed purposes . We rarely let a colour affect us purely as a colour , we ...
الصفحة 387
... element which itself is not simply present . This interweaving results in each element ' - phoneme or grapheme- being constituted on the basis of the trace within it of the other elements of the chain or system . This interweaving ...
... element which itself is not simply present . This interweaving results in each element ' - phoneme or grapheme- being constituted on the basis of the trace within it of the other elements of the chain or system . This interweaving ...
الصفحة 434
... elements due to this membership cancel each other out , and we are confronted with a much simpler , more coherent ... elements of the work and the work as a whole . In either case , we are confronted by the relations between the elements ...
... elements due to this membership cancel each other out , and we are confronted with a much simpler , more coherent ... elements of the work and the work as a whole . In either case , we are confronted by the relations between the elements ...
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abridged extracts actants aesthetic function Aristotle artistic Barthes beauty called century character classical Cleanth Brooks common concept consciousness culture D. H. Lawrence discourse effect Eliot emotion Erich Auerbach Essays example experience expression F. R. Leavis fact feeling fiction flâneur genius human I. A. Richards ideas ideology illocutionary acts images imagination imitation individual interpretation judgment kind knowledge language Leavis linguistic Literary Criticism literature London meaning metaphor metonymic mind modern moral narrative nature novel novelist object original particular passions person philosophical poem poet poet's poetic poetry present produced question Raymond Williams reader reading realism reality reflection relation representation rhetoric Russian Formalism semiotic sense signifier social society soul speak speech structuralist structure style sublime symbolic T. S. Eliot theory things thought tradition tragedy trans true truth understanding unity University whole words writing