The Theory of Criticism from Plato to the Present: A ReaderRaman Selden Longman, 1988 - 560 من الصفحات This book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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الصفحة 33
... emotion that is made out of their distinct evocations and yet is one emotion . The same relation exists between all portions of every work of art , whether it be an epic or a song , and the more perfect it is , and the more various and ...
... emotion that is made out of their distinct evocations and yet is one emotion . The same relation exists between all portions of every work of art , whether it be an epic or a song , and the more perfect it is , and the more various and ...
الصفحة 168
... emotion . These two constituents of the sublime are for the most part congenital . But the other three come partly ... emotion . Now if he thought that sublimity and emotion were the same thing , and that one always essentially involved ...
... emotion . These two constituents of the sublime are for the most part congenital . But the other three come partly ... emotion . Now if he thought that sublimity and emotion were the same thing , and that one always essentially involved ...
الصفحة 313
... emotion in the form of art is by finding an ' objective correlative ' ; in other words , a set of objects , a situation , a chain of events which shall be the formula of that particular emotion ; such that when the external facts ...
... emotion in the form of art is by finding an ' objective correlative ' ; in other words , a set of objects , a situation , a chain of events which shall be the formula of that particular emotion ; such that when the external facts ...
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abridged extracts actants aesthetic function Aristotle artistic Barthes beauty called century character classical Cleanth Brooks common concept consciousness culture D. H. Lawrence discourse effect Eliot emotion Erich Auerbach Essays example experience expression F. R. Leavis fact feeling fiction flâneur genius human I. A. Richards ideas ideology illocutionary acts images imagination imitation individual interpretation judgment kind knowledge language Leavis linguistic Literary Criticism literature London meaning metaphor metonymic mind modern moral narrative nature novel novelist object original particular passions person philosophical poem poet poet's poetic poetry present produced question Raymond Williams reader reading realism reality reflection relation representation rhetoric Russian Formalism semiotic sense signifier social society soul speak speech structuralist structure style sublime symbolic T. S. Eliot theory things thought tradition tragedy trans true truth understanding unity University whole words writing