The Theory of Criticism from Plato to the Present: A ReaderRaman Selden Longman, 1988 - 560 من الصفحات This book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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الصفحة 296
... forces that hold together a variety of ideas ; they feel they know about the forces , if they have analysed the ideas ; many forces , indeed , are covertly included within ideas ; and so of the two elements , each of which defines the ...
... forces that hold together a variety of ideas ; they feel they know about the forces , if they have analysed the ideas ; many forces , indeed , are covertly included within ideas ; and so of the two elements , each of which defines the ...
الصفحة 425
... forces , magnitudes , and directions , we may say that in both the final result is produced after the same method . It is great or small , as the fundamental forces are great or small and act more or less exactly in the same sense ...
... forces , magnitudes , and directions , we may say that in both the final result is produced after the same method . It is great or small , as the fundamental forces are great or small and act more or less exactly in the same sense ...
الصفحة 515
... force by the analysis yet to be done the analysis it sums up ; but it provides the right pointer . And to invoke another term , more inescapably one to which a critic must try and give some useful force by appropriate and careful use ...
... force by the analysis yet to be done the analysis it sums up ; but it provides the right pointer . And to invoke another term , more inescapably one to which a critic must try and give some useful force by appropriate and careful use ...
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abridged extracts actants aesthetic function Aristotle artistic Barthes beauty called century character classical Cleanth Brooks common concept consciousness culture D. H. Lawrence discourse effect Eliot emotion Erich Auerbach Essays example experience expression F. R. Leavis fact feeling fiction flâneur genius human I. A. Richards ideas ideology illocutionary acts images imagination imitation individual interpretation judgment kind knowledge language Leavis linguistic Literary Criticism literature London meaning metaphor metonymic mind modern moral narrative nature novel novelist object original particular passions person philosophical poem poet poet's poetic poetry present produced question Raymond Williams reader reading realism reality reflection relation representation rhetoric Russian Formalism semiotic sense signifier social society soul speak speech structuralist structure style sublime symbolic T. S. Eliot theory things thought tradition tragedy trans true truth understanding unity University whole words writing