The Theory of Criticism from Plato to the Present: A ReaderThis book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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الصفحة 456
ideology is accepted as a common - sense view of things by the dominated classes and thus the interests of the dominant classes are secured . However , art is not simply an expression of ideology , according to Althusser .
ideology is accepted as a common - sense view of things by the dominated classes and thus the interests of the dominant classes are secured . However , art is not simply an expression of ideology , according to Althusser .
الصفحة 465
By definition , an ideology can sustain a contradictory debate , for ideology exists precisely in order to efface all trace of contradiction . Thus , an ideology , as such , breaks down only in the face of the real questions : but for ...
By definition , an ideology can sustain a contradictory debate , for ideology exists precisely in order to efface all trace of contradiction . Thus , an ideology , as such , breaks down only in the face of the real questions : but for ...
الصفحة 466
A work is established against an ideology as much as it is from an ideology . Implicitly , the work contributes to an exposure of ideology , or at least to a definition of it ; thus the absurdity of all attempts to ' demystify ...
A work is established against an ideology as much as it is from an ideology . Implicitly , the work contributes to an exposure of ideology , or at least to a definition of it ; thus the absurdity of all attempts to ' demystify ...
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المحتوى
INTRODUCTION | 1 |
REPRESENTATION | 7 |
MIMESIS AND REALISM | 40 |
حقوق النشر | |
23 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
according action actual aesthetic appear artistic beauty become called century character common complete concept concerned consider criticism culture described determine direct discourse distinction effect elements emotion example existence experience expression fact feeling force function give given human ideas ideology images imagination imitation important individual interest interpretation kind knowledge language laws less linguistic literary literature living London Marxism material matter meaning mind moral nature never novel object observation organization original particular passions person philosophical play poem poet poetic poetry possible practice present Press principle produced question reader reading reality reason reference reflection relation represent representation rhetoric rules sense signifier simply social society speak structure style symbolic theory things thought tradition true truth understanding University whole writing
معلومات المراجع
| العنوان | The Theory of Criticism from Plato to the Present: A Reader |
| المُحرر | Raman Selden |
| المساهم | Raman Selden |
| الإصدار | مزود بصور توضيحية, معاد طباعته |
| الناشر | Longman, 1988 |
| أصلي من | جامعة ميتشيغان |
| الكتب ذات التنسيق الرقمي | 29 شباط (فبراير) 2008 |
| رقم ISBN (الرقم الدولي المعياري للكتاب) | 0582017238, 9780582017238 |
| عدد الصفحات | 560 من الصفحات |
| تصدير الاقتباس | BiBTeX EndNote RefMan |