The Theory of Criticism from Plato to the Present: A ReaderThis book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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الصفحة 180
But there is a radical distinction between the interest felt in a story as such , and the interest excited by poetry ; for the one is derived from incident , the other from the representation of feeling .
But there is a radical distinction between the interest felt in a story as such , and the interest excited by poetry ; for the one is derived from incident , the other from the representation of feeling .
الصفحة 248
For since it does not rest on any inclination of the subject ( nor upon any other premeditated interest ) , but since he who judges feels himself quite free as regards the satisfaction which he attaches to the object , he cannot find ...
For since it does not rest on any inclination of the subject ( nor upon any other premeditated interest ) , but since he who judges feels himself quite free as regards the satisfaction which he attaches to the object , he cannot find ...
الصفحة 278
I am using contemplation here just in the same way that Plato used it , only applied to a different subject ; it is a detached interest . ' The object of æsthetic contemplation is something framed apart by itself and regarded without ...
I am using contemplation here just in the same way that Plato used it , only applied to a different subject ; it is a detached interest . ' The object of æsthetic contemplation is something framed apart by itself and regarded without ...
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المحتوى
INTRODUCTION | 1 |
REPRESENTATION | 7 |
MIMESIS AND REALISM | 40 |
حقوق النشر | |
23 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
according action actual aesthetic appear artistic beauty become called century character common complete concept concerned consciousness consider criticism culture described determine direct discourse distinction effect elements emotion example existence experience expression fact feeling force function give given human ideas ideology images imagination imitation important individual interest interpretation kind knowledge language laws less linguistic literary literature living London Marxism material matter meaning mind moral nature never novel object observation organization original particular passions person philosophical play poem poet poetic poetry possible practice present Press principle produced question reader reading reality reason reference reflection relation represent representation rhetoric sense signifier simply social society speak structure style symbolic theory things thought tradition true truth understanding University whole writing