The Theory of Criticism from Plato to the Present: A ReaderRaman Selden Longman, 1988 - 560 من الصفحات This book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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الصفحة 205
... interpretation . The peculiarly modern anarchy of every man for himself in matters of interpretation may sound like the ultimate victory of the Protestant spirit . Actually , such anarchy is the direct consequence of transgressing the ...
... interpretation . The peculiarly modern anarchy of every man for himself in matters of interpretation may sound like the ultimate victory of the Protestant spirit . Actually , such anarchy is the direct consequence of transgressing the ...
الصفحة 384
... interpreted ; every interpretation a symptom of growth or of decline . Inertia needs unity ( monism ) ; plurality of interpretations a sign of strength . Not to desire to deprive the world of its disturbing and enigmatic character ...
... interpreted ; every interpretation a symptom of growth or of decline . Inertia needs unity ( monism ) ; plurality of interpretations a sign of strength . Not to desire to deprive the world of its disturbing and enigmatic character ...
الصفحة 395
... interpretation - that is not subordinated naively to the search for ideas . From this perspective the apparently opposite demands for objective interpretation on the part of E. D. Hirsch and for subjective criticism on the part of ...
... interpretation - that is not subordinated naively to the search for ideas . From this perspective the apparently opposite demands for objective interpretation on the part of E. D. Hirsch and for subjective criticism on the part of ...
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abridged extracts actants aesthetic function Aristotle artistic Barthes beauty called century character classical Cleanth Brooks common concept consciousness culture D. H. Lawrence discourse effect Eliot emotion Erich Auerbach Essays example experience expression F. R. Leavis fact feeling fiction flâneur genius human I. A. Richards ideas ideology illocutionary acts images imagination imitation individual interpretation judgment kind knowledge language Leavis linguistic Literary Criticism literature London meaning metaphor metonymic mind modern moral narrative nature novel novelist object original particular passions person philosophical poem poet poet's poetic poetry present produced question Raymond Williams reader reading realism reality reflection relation representation rhetoric Russian Formalism semiotic sense signifier social society soul speak speech structuralist structure style sublime symbolic T. S. Eliot theory things thought tradition tragedy trans true truth understanding unity University whole words writing