The Theory of Criticism from Plato to the Present: A ReaderRaman Selden Longman, 1988 - 560 من الصفحات This book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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الصفحة 205
... literary texts . No literary theorist from Coleridge to the present has succeeded in formulating a viable distinction between the nature of ordinary written speech and the nature of literary written speech . For reasons I shall not ...
... literary texts . No literary theorist from Coleridge to the present has succeeded in formulating a viable distinction between the nature of ordinary written speech and the nature of literary written speech . For reasons I shall not ...
الصفحة 206
... literary history . For the positivistic view of history as the ' objective ' description of a series of events in an isolated past neglects the artistic character as well as the specific historicity of literature . A literary work is ...
... literary history . For the positivistic view of history as the ' objective ' description of a series of events in an isolated past neglects the artistic character as well as the specific historicity of literature . A literary work is ...
الصفحة 401
... literary history . A great deal of scholarly editing and philological activity centres on problems of defining a work's literary antecedents ( ' sources and analogues ' ) . Commentaries often cite passages from earlier writers either as ...
... literary history . A great deal of scholarly editing and philological activity centres on problems of defining a work's literary antecedents ( ' sources and analogues ' ) . Commentaries often cite passages from earlier writers either as ...
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abridged extracts actants aesthetic function Aristotle artistic Barthes beauty called century character classical Cleanth Brooks common concept consciousness culture D. H. Lawrence discourse effect Eliot emotion Erich Auerbach Essays example experience expression F. R. Leavis fact feeling fiction flâneur genius human I. A. Richards ideas ideology illocutionary acts images imagination imitation individual interpretation judgment kind knowledge language Leavis linguistic Literary Criticism literature London meaning metaphor metonymic mind modern moral narrative nature novel novelist object original particular passions person philosophical poem poet poet's poetic poetry present produced question Raymond Williams reader reading realism reality reflection relation representation rhetoric Russian Formalism semiotic sense signifier social society soul speak speech structuralist structure style sublime symbolic T. S. Eliot theory things thought tradition tragedy trans true truth understanding unity University whole words writing