The Theory of Criticism from Plato to the Present: A ReaderRaman Selden Longman, 1988 - 560 من الصفحات This book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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الصفحة 25
... nature . ' But it would be flattering mankind at large , to presume that such is the fact . First , to imitate . The ... nature without any check of difference , the result is disgusting , and the more complete the delusion , the more ...
... nature . ' But it would be flattering mankind at large , to presume that such is the fact . First , to imitate . The ... nature without any check of difference , the result is disgusting , and the more complete the delusion , the more ...
الصفحة 79
... nature in art . First the principle of decorum demands that in tragedy , in which the minds and fortunes of the most noble persons are presented , heroic rhyme ' is nearest nature , as being the noblest kind of modern verse ' ( the ...
... nature in art . First the principle of decorum demands that in tragedy , in which the minds and fortunes of the most noble persons are presented , heroic rhyme ' is nearest nature , as being the noblest kind of modern verse ' ( the ...
الصفحة 80
... nature : ' What is General Nature ? is there Such a Thing ? Strictly speaking all Knowledge is Particular . ' He denied that the particular objects of nature are the poet's objects , and insisted that the imagination was the only source ...
... nature : ' What is General Nature ? is there Such a Thing ? Strictly speaking all Knowledge is Particular . ' He denied that the particular objects of nature are the poet's objects , and insisted that the imagination was the only source ...
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abridged extracts actants aesthetic function Aristotle artistic Barthes beauty called century character classical Cleanth Brooks common concept consciousness culture D. H. Lawrence discourse effect Eliot emotion Erich Auerbach Essays example experience expression F. R. Leavis fact feeling fiction flâneur genius human I. A. Richards ideas ideology illocutionary acts images imagination imitation individual interpretation judgment kind knowledge language Leavis linguistic Literary Criticism literature London meaning metaphor metonymic mind modern moral narrative nature novel novelist object original particular passions person philosophical poem poet poet's poetic poetry present produced question Raymond Williams reader reading realism reality reflection relation representation rhetoric Russian Formalism semiotic sense signifier social society soul speak speech structuralist structure style sublime symbolic T. S. Eliot theory things thought tradition tragedy trans true truth understanding unity University whole words writing