The Theory of Criticism from Plato to the Present: A ReaderRaman Selden Longman, 1988 - 560 من الصفحات This book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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الصفحة 216
... object of the text can only be imagined by way of different consecutive phases of reading . We always stand outside the given object , whereas we are situated inside the literary text . The relation between text and reader is therefore ...
... object of the text can only be imagined by way of different consecutive phases of reading . We always stand outside the given object , whereas we are situated inside the literary text . The relation between text and reader is therefore ...
الصفحة 248
... Object is signified , but through which there is a feeling in the subject , as it is affected by the representation . [ ... ] The beautiful is that which apart from concepts is rrepresented as the object of a universal satisfaction ...
... Object is signified , but through which there is a feeling in the subject , as it is affected by the representation . [ ... ] The beautiful is that which apart from concepts is rrepresented as the object of a universal satisfaction ...
الصفحة 274
... object ; the object is not important . [ . . . ] After we see an object several times , we begin to recognize it . The object is in front of us and we know about it , but we do not see it hence we cannot say anything significant about ...
... object ; the object is not important . [ . . . ] After we see an object several times , we begin to recognize it . The object is in front of us and we know about it , but we do not see it hence we cannot say anything significant about ...
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abridged extracts actants aesthetic function Aristotle artistic Barthes beauty called century character classical Cleanth Brooks common concept consciousness culture D. H. Lawrence discourse effect Eliot emotion Erich Auerbach Essays example experience expression F. R. Leavis fact feeling fiction flâneur genius human I. A. Richards ideas ideology illocutionary acts images imagination imitation individual interpretation judgment kind knowledge language Leavis linguistic Literary Criticism literature London meaning metaphor metonymic mind modern moral narrative nature novel novelist object original particular passions person philosophical poem poet poet's poetic poetry present produced question Raymond Williams reader reading realism reality reflection relation representation rhetoric Russian Formalism semiotic sense signifier social society soul speak speech structuralist structure style sublime symbolic T. S. Eliot theory things thought tradition tragedy trans true truth understanding unity University whole words writing