The Theory of Criticism from Plato to the Present: A ReaderThis book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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الصفحة 216
In this respect it differs from given objects , which can generally be viewed or at least conceived as a whole . The object of the text can only be imagined by way of different consecutive phases of reading . We always stand outside the ...
In this respect it differs from given objects , which can generally be viewed or at least conceived as a whole . The object of the text can only be imagined by way of different consecutive phases of reading . We always stand outside the ...
الصفحة 248
The beautiful is that which apart from concepts is rrepresented as the object of a universal satisfaction . This explanation of the beautiful can be derived from the preceding explanation of it as the object of an entirely disinterested ...
The beautiful is that which apart from concepts is rrepresented as the object of a universal satisfaction . This explanation of the beautiful can be derived from the preceding explanation of it as the object of an entirely disinterested ...
الصفحة 274
The technique of art is to make objects ' unfamiliar , ' to make forms difficult , to increase the difficulty and length of perception because ... Art is a way of experiencing the artfulness of an object ; the object is not important .
The technique of art is to make objects ' unfamiliar , ' to make forms difficult , to increase the difficulty and length of perception because ... Art is a way of experiencing the artfulness of an object ; the object is not important .
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المحتوى
INTRODUCTION | 1 |
REPRESENTATION | 7 |
MIMESIS AND REALISM | 40 |
حقوق النشر | |
23 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
according action actual aesthetic appear artistic beauty become called century character common complete concept concerned consciousness consider criticism culture described determine direct discourse distinction effect elements emotion example existence experience expression fact feeling force function give given human ideas ideology images imagination imitation important individual interest interpretation kind knowledge language laws less linguistic literary literature living London Marxism material matter meaning mind moral nature never novel object observation organization original particular passions person philosophical play poem poet poetic poetry possible practice present Press principle produced question reader reading reality reason reference reflection relation represent representation rhetoric sense signifier simply social society speak structure style symbolic theory things thought tradition true truth understanding University whole writing
معلومات المراجع
| العنوان | The Theory of Criticism from Plato to the Present: A Reader |
| المُحرر | Raman Selden |
| المساهم | Raman Selden |
| الإصدار | مزود بصور توضيحية, معاد طباعته |
| الناشر | Longman, 1988 |
| أصلي من | جامعة ميتشيغان |
| الكتب ذات التنسيق الرقمي | 29 شباط (فبراير) 2008 |
| رقم ISBN (الرقم الدولي المعياري للكتاب) | 0582017238, 9780582017238 |
| عدد الصفحات | 560 من الصفحات |
| تصدير الاقتباس | BiBTeX EndNote RefMan |