The Theory of Criticism from Plato to the Present: A ReaderRaman Selden Longman, 1988 - 560 من الصفحات This book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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الصفحة 152
... original is a mere duplication . Later , he switches to a different image : the imitation is a transplantation of the original to a foreign soil . The original is a new plant , which grows naturally . A further switch denies the ...
... original is a mere duplication . Later , he switches to a different image : the imitation is a transplantation of the original to a foreign soil . The original is a new plant , which grows naturally . A further switch denies the ...
الصفحة 203
... original meaning as the ' best meaning , ' we find ourselves repeating the old pattern of controversy between the medieval allegorists ( the Heideggerians of an earlier day ) and the later humanists . While this conflict cannot be ...
... original meaning as the ' best meaning , ' we find ourselves repeating the old pattern of controversy between the medieval allegorists ( the Heideggerians of an earlier day ) and the later humanists . While this conflict cannot be ...
الصفحة 204
... original meaning is tacitly assumed even while original significance is ignored . Whenever interpretive conflicts are concerned only with emphasis in the conduct of a commentary , then they are conflicts about immediate aims and not ...
... original meaning is tacitly assumed even while original significance is ignored . Whenever interpretive conflicts are concerned only with emphasis in the conduct of a commentary , then they are conflicts about immediate aims and not ...
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abridged extracts actants aesthetic function Aristotle artistic Barthes beauty called century character classical Cleanth Brooks common concept consciousness culture D. H. Lawrence discourse effect Eliot emotion Erich Auerbach Essays example experience expression F. R. Leavis fact feeling fiction flâneur genius human I. A. Richards ideas ideology illocutionary acts images imagination imitation individual interpretation judgment kind knowledge language Leavis linguistic Literary Criticism literature London meaning metaphor metonymic mind modern moral narrative nature novel novelist object original particular passions person philosophical poem poet poet's poetic poetry present produced question Raymond Williams reader reading realism reality reflection relation representation rhetoric Russian Formalism semiotic sense signifier social society soul speak speech structuralist structure style sublime symbolic T. S. Eliot theory things thought tradition tragedy trans true truth understanding unity University whole words writing