The Theory of Criticism from Plato to the Present: A ReaderRaman Selden Longman, 1988 - 560 من الصفحات This book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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الصفحة 170
... Passions . But , secondly , Poetry attains its final end , which is the reforming the Minds of Men , by exciting of ... Passions , and great Passions of one sort or another , and whereas those Passions will be employed , and whatever way ...
... Passions . But , secondly , Poetry attains its final end , which is the reforming the Minds of Men , by exciting of ... Passions , and great Passions of one sort or another , and whereas those Passions will be employed , and whatever way ...
الصفحة 171
... Passions . For whereas Philosophy pretends to correct human Passions by human Reason ( that is , things that are strong and ungovernable by something that is feeble and weak ) Poetry by the force of the Passion instructs and reforms the ...
... Passions . For whereas Philosophy pretends to correct human Passions by human Reason ( that is , things that are strong and ungovernable by something that is feeble and weak ) Poetry by the force of the Passion instructs and reforms the ...
الصفحة 172
... Passions , Horror , Sadness , Joy , and Desire , but that even the ordinary Passions which contribute most to the greatness of Poetry , as Admiration , Terror , and Pity , are chiefly to be derived from Religion ; but that the Passions ...
... Passions , Horror , Sadness , Joy , and Desire , but that even the ordinary Passions which contribute most to the greatness of Poetry , as Admiration , Terror , and Pity , are chiefly to be derived from Religion ; but that the Passions ...
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abridged extracts actants aesthetic function Aristotle artistic Barthes beauty called century character classical Cleanth Brooks common concept consciousness culture D. H. Lawrence discourse effect Eliot emotion Erich Auerbach Essays example experience expression F. R. Leavis fact feeling fiction flâneur genius human I. A. Richards ideas ideology illocutionary acts images imagination imitation individual interpretation judgment kind knowledge language Leavis linguistic Literary Criticism literature London meaning metaphor metonymic mind modern moral narrative nature novel novelist object original particular passions person philosophical poem poet poet's poetic poetry present produced question Raymond Williams reader reading realism reality reflection relation representation rhetoric Russian Formalism semiotic sense signifier social society soul speak speech structuralist structure style sublime symbolic T. S. Eliot theory things thought tradition tragedy trans true truth understanding unity University whole words writing