The Theory of Criticism from Plato to the Present: A ReaderRaman Selden Longman, 1988 - 560 من الصفحات This book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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الصفحة 55
... plays ] , they are consistent with analysis in action , which is the most striking form of action one can make . When we ... play shall be nothing more than a real and logical story - we shall then enter into perfect analysis ; we shall ...
... plays ] , they are consistent with analysis in action , which is the most striking form of action one can make . When we ... play shall be nothing more than a real and logical story - we shall then enter into perfect analysis ; we shall ...
الصفحة 83
... play are so ill ordered , that they have no coherence with the other , I must grant that Lisideius has reason to tax that want of due connexion ; for co - ordination in a play is as dangerous and unnatural as in a state . In the mean ...
... play are so ill ordered , that they have no coherence with the other , I must grant that Lisideius has reason to tax that want of due connexion ; for co - ordination in a play is as dangerous and unnatural as in a state . In the mean ...
الصفحة 203
... play to its original application . When the followers of Essex brought out the play's significance to their political aims , however , no great violence was done to its original meaning . Nor would any important distortion result from ...
... play to its original application . When the followers of Essex brought out the play's significance to their political aims , however , no great violence was done to its original meaning . Nor would any important distortion result from ...
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abridged extracts actants aesthetic function Aristotle artistic Barthes beauty called century character classical Cleanth Brooks common concept consciousness culture D. H. Lawrence discourse effect Eliot emotion Erich Auerbach Essays example experience expression F. R. Leavis fact feeling fiction flâneur genius human I. A. Richards ideas ideology illocutionary acts images imagination imitation individual interpretation judgment kind knowledge language Leavis linguistic Literary Criticism literature London meaning metaphor metonymic mind modern moral narrative nature novel novelist object original particular passions person philosophical poem poet poet's poetic poetry present produced question Raymond Williams reader reading realism reality reflection relation representation rhetoric Russian Formalism semiotic sense signifier social society soul speak speech structuralist structure style sublime symbolic T. S. Eliot theory things thought tradition tragedy trans true truth understanding unity University whole words writing