The Theory of Criticism from Plato to the Present: A ReaderThis book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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الصفحة 304
criticism since the Romantics : poetic language is the language of the imagination and feelings , and should categorically be distinguished from the language ... explored in the poem are not expressions of the poet's emotional state .
criticism since the Romantics : poetic language is the language of the imagination and feelings , and should categorically be distinguished from the language ... explored in the poem are not expressions of the poet's emotional state .
الصفحة 314
A poem does not come into existence by accident . The words of a poem , as Professor Stoll has remarked , come out of a head , not out of a hat . Yet to insist on the designing intellect as a cause of a poem is not to grant the design ...
A poem does not come into existence by accident . The words of a poem , as Professor Stoll has remarked , come out of a head , not out of a hat . Yet to insist on the designing intellect as a cause of a poem is not to grant the design ...
الصفحة 416
The history of fruitful poetic influence , which is to say the main tradition of Western poetry since the ... If to imagine is to misinterpret , which makes all poems antithetical to their precursors , then to imagine after a poet is to ...
The history of fruitful poetic influence , which is to say the main tradition of Western poetry since the ... If to imagine is to misinterpret , which makes all poems antithetical to their precursors , then to imagine after a poet is to ...
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المحتوى
INTRODUCTION | 1 |
REPRESENTATION | 7 |
MIMESIS AND REALISM | 40 |
حقوق النشر | |
23 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
according action actual aesthetic appear artistic beauty become called century character common complete concept concerned consciousness consider criticism culture described determine direct discourse distinction effect elements emotion example existence experience expression fact feeling force function give given human ideas ideology images imagination imitation important individual interest interpretation kind knowledge language laws less linguistic literary literature living London Marxism material matter meaning mind moral nature never novel object observation organization original particular passions person philosophical play poem poet poetic poetry possible practice present Press principle produced question reader reading reality reason reference reflection relation represent representation rhetoric sense signifier simply social society speak structure style symbolic theory things thought tradition true truth understanding University whole writing