The Theory of Criticism from Plato to the Present: A ReaderRaman Selden Longman, 1988 - 560 من الصفحات This book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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الصفحة 176
... Poet ] considers man and nature as essentially adapted to each other , and the mind of man as naturally the mirror of the fairest and most interesting properties of nature . And thus the Poet , prompted by this feeling of pleasure ...
... Poet ] considers man and nature as essentially adapted to each other , and the mind of man as naturally the mirror of the fairest and most interesting properties of nature . And thus the Poet , prompted by this feeling of pleasure ...
الصفحة 304
... poet rejects the Wordsworthian preoccupation with the self . For Pound the poet is like a sculptor shaping and paring down a verbal structure in order to make it perfectly correspond to an emotional state ( not necessarily the poet's ) ...
... poet rejects the Wordsworthian preoccupation with the self . For Pound the poet is like a sculptor shaping and paring down a verbal structure in order to make it perfectly correspond to an emotional state ( not necessarily the poet's ) ...
الصفحة 416
... poet is to learn his own metaphors for his acts of reading . Criticism then necessarily becomes antithetical also , a series of swerves after unique acts of creative misunderstanding . The first swerve is to learn to read a great ...
... poet is to learn his own metaphors for his acts of reading . Criticism then necessarily becomes antithetical also , a series of swerves after unique acts of creative misunderstanding . The first swerve is to learn to read a great ...
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abridged extracts actants aesthetic function Aristotle artistic Barthes beauty called century character classical Cleanth Brooks common concept consciousness culture D. H. Lawrence discourse effect Eliot emotion Erich Auerbach Essays example experience expression F. R. Leavis fact feeling fiction flâneur genius human I. A. Richards ideas ideology illocutionary acts images imagination imitation individual interpretation judgment kind knowledge language Leavis linguistic Literary Criticism literature London meaning metaphor metonymic mind modern moral narrative nature novel novelist object original particular passions person philosophical poem poet poet's poetic poetry present produced question Raymond Williams reader reading realism reality reflection relation representation rhetoric Russian Formalism semiotic sense signifier social society soul speak speech structuralist structure style sublime symbolic T. S. Eliot theory things thought tradition tragedy trans true truth understanding unity University whole words writing