The Theory of Criticism from Plato to the Present: A ReaderThis book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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الصفحة 303
The word ' poet ' means ' maker ' one who fashions material into a new form . ... According to the common classical and Christian view of poetic inspiration , the poet does not originate the poem but is the inspired channel for a divine ...
The word ' poet ' means ' maker ' one who fashions material into a new form . ... According to the common classical and Christian view of poetic inspiration , the poet does not originate the poem but is the inspired channel for a divine ...
الصفحة 406
Harold Bloom offers a novel version of poetic tradition in his studies The Anxiety of Influence ( 1973 ) and A Map of Misreading ( 1975 ) . He combines Freudian psychology , the theory of tropes , and cabbalistic mysticism in his poetic ...
Harold Bloom offers a novel version of poetic tradition in his studies The Anxiety of Influence ( 1973 ) and A Map of Misreading ( 1975 ) . He combines Freudian psychology , the theory of tropes , and cabbalistic mysticism in his poetic ...
الصفحة 416
The history of fruitful poetic influence , which is to say the main tradition of Western poetry since the Renaissance , is a ... to their precursors , then to imagine after a poet is to learn his own metaphors for his acts of reading .
The history of fruitful poetic influence , which is to say the main tradition of Western poetry since the Renaissance , is a ... to their precursors , then to imagine after a poet is to learn his own metaphors for his acts of reading .
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المحتوى
INTRODUCTION | 1 |
REPRESENTATION | 7 |
MIMESIS AND REALISM | 40 |
حقوق النشر | |
23 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
according action actual aesthetic appear artistic beauty become called century character common complete concept concerned consider criticism culture described determine direct discourse distinction effect elements emotion example existence experience expression fact feeling force function give given human ideas ideology images imagination imitation important individual interest interpretation kind knowledge language laws less linguistic literary literature living London Marxism material matter meaning mind moral nature never novel object observation organization original particular passions person philosophical play poem poet poetic poetry possible practice present Press principle produced question reader reading reality reason reference reflection relation represent representation rhetoric rules sense signifier simply social society speak structure style symbolic theory things thought tradition true truth understanding University whole writing
معلومات المراجع
| العنوان | The Theory of Criticism from Plato to the Present: A Reader |
| المُحرر | Raman Selden |
| المساهم | Raman Selden |
| الإصدار | مزود بصور توضيحية, معاد طباعته |
| الناشر | Longman, 1988 |
| أصلي من | جامعة ميتشيغان |
| الكتب ذات التنسيق الرقمي | 29 شباط (فبراير) 2008 |
| رقم ISBN (الرقم الدولي المعياري للكتاب) | 0582017238, 9780582017238 |
| عدد الصفحات | 560 من الصفحات |
| تصدير الاقتباس | BiBTeX EndNote RefMan |