The Theory of Criticism from Plato to the Present: A ReaderRaman Selden Longman, 1988 - 560 من الصفحات This book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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الصفحة 165
... poets from his republic because he feared that the powerful emotions aroused by poetry would be a dangerous influence on the young , Dennis argues the reverse : the more violent the passions aroused the greater the possibility of the ...
... poets from his republic because he feared that the powerful emotions aroused by poetry would be a dangerous influence on the young , Dennis argues the reverse : the more violent the passions aroused the greater the possibility of the ...
الصفحة 166
... poet's words conjure up passions which only approximate to the real passions originally experienced . More importantly , he qualifies the stress upon the emotional purity of poetry by adding that the poet ' had also thought long and ...
... poet's words conjure up passions which only approximate to the real passions originally experienced . More importantly , he qualifies the stress upon the emotional purity of poetry by adding that the poet ' had also thought long and ...
الصفحة 501
... poetry , by the style and manner of that poetry , and of all other poetry which is akin to it in quality . Only one thing we may add as to the substance and matter of poetry , guiding ourselves by Aristotle's profound observation that ...
... poetry , by the style and manner of that poetry , and of all other poetry which is akin to it in quality . Only one thing we may add as to the substance and matter of poetry , guiding ourselves by Aristotle's profound observation that ...
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abridged extracts actants aesthetic function Aristotle artistic Barthes beauty called century character classical Cleanth Brooks common concept consciousness culture D. H. Lawrence discourse effect Eliot emotion Erich Auerbach Essays example experience expression F. R. Leavis fact feeling fiction flâneur genius human I. A. Richards ideas ideology illocutionary acts images imagination imitation individual interpretation judgment kind knowledge language Leavis linguistic Literary Criticism literature London meaning metaphor metonymic mind modern moral narrative nature novel novelist object original particular passions person philosophical poem poet poet's poetic poetry present produced question Raymond Williams reader reading realism reality reflection relation representation rhetoric Russian Formalism semiotic sense signifier social society soul speak speech structuralist structure style sublime symbolic T. S. Eliot theory things thought tradition tragedy trans true truth understanding unity University whole words writing