The Theory of Criticism from Plato to the Present: A ReaderThis book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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الصفحة 388
Nothing , neither among the elements nor within the system , is anywhere ever simply present or absent . There are only , everywhere , differences and traces of traces . The gram , then , is the most general concept of semiology – which ...
Nothing , neither among the elements nor within the system , is anywhere ever simply present or absent . There are only , everywhere , differences and traces of traces . The gram , then , is the most general concept of semiology – which ...
الصفحة 389
Nothing - no present and in - different being - thus precedes differance and spacing . There is no subject who is agent , author , and master of differance , who eventually and empirically would be overtaken by differance .
Nothing - no present and in - different being - thus precedes differance and spacing . There is no subject who is agent , author , and master of differance , who eventually and empirically would be overtaken by differance .
الصفحة 410
But the dislerence between the present and the past is that the conscious present is an awareness of the past in a way and to an extent which the past's awareness of itself cannot show . ( T. S. Eliot , " Tradition and the Individual ...
But the dislerence between the present and the past is that the conscious present is an awareness of the past in a way and to an extent which the past's awareness of itself cannot show . ( T. S. Eliot , " Tradition and the Individual ...
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المحتوى
INTRODUCTION | 1 |
REPRESENTATION | 7 |
MIMESIS AND REALISM | 40 |
حقوق النشر | |
23 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
according action actual aesthetic appear artistic beauty become called century character common complete concept concerned consider criticism culture described determine direct discourse distinction effect elements emotion example existence experience expression fact feeling force function give given human ideas ideology images imagination imitation important individual interest interpretation kind knowledge language laws less linguistic literary literature living London Marxism material matter meaning mind moral nature never novel object observation organization original particular passions person philosophical play poem poet poetic poetry possible practice present Press principle produced question reader reading reality reason reference reflection relation represent representation rhetoric rules sense signifier simply social society speak structure style symbolic theory things thought tradition true truth understanding University whole writing