The Theory of Criticism from Plato to the Present: A ReaderThis book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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الصفحة 14
ascending to a first principle , because she is unable to rise above the region of hypothesis , but employing the ... using the hypotheses not as first principles , but only as hypotheses – that is to say , as steps and points of ...
ascending to a first principle , because she is unable to rise above the region of hypothesis , but employing the ... using the hypotheses not as first principles , but only as hypotheses – that is to say , as steps and points of ...
الصفحة 218
( Lichtenstein goes so far as to argue the ' identity principle ' is prior even to man's drive for pleasure . ... To analyze the five readers ' readings , I brought to bear four principles , each of which is really only an aspect of one ...
( Lichtenstein goes so far as to argue the ' identity principle ' is prior even to man's drive for pleasure . ... To analyze the five readers ' readings , I brought to bear four principles , each of which is really only an aspect of one ...
الصفحة 321
Cicero's treatise on oratory ( Orator ) enunciates the classic principle of stylistic appropriateness : the grand style is best for swaying emotions , the plain style for conveying information , and the middle or ' tempered ' style for ...
Cicero's treatise on oratory ( Orator ) enunciates the classic principle of stylistic appropriateness : the grand style is best for swaying emotions , the plain style for conveying information , and the middle or ' tempered ' style for ...
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المحتوى
INTRODUCTION | 1 |
REPRESENTATION | 7 |
MIMESIS AND REALISM | 40 |
حقوق النشر | |
23 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
according action actual aesthetic appear artistic beauty become called century character common complete concept concerned consciousness consider criticism culture described determine direct discourse distinction effect elements emotion example existence experience expression fact feeling force function give given human ideas ideology images imagination imitation important individual interest interpretation kind knowledge language laws less linguistic literary literature living London Marxism material matter meaning mind moral nature never novel object observation organization original particular passions person philosophical play poem poet poetic poetry possible practice present Press principle produced question reader reading reality reason reference reflection relation represent representation rhetoric sense signifier simply social society speak structure style symbolic theory things thought tradition true truth understanding University whole writing
معلومات المراجع
| العنوان | The Theory of Criticism from Plato to the Present: A Reader |
| المُحرر | Raman Selden |
| المساهم | Raman Selden |
| الإصدار | مزود بصور توضيحية, معاد طباعته |
| الناشر | Longman, 1988 |
| أصلي من | جامعة ميتشيغان |
| الكتب ذات التنسيق الرقمي | 29 شباط (فبراير) 2008 |
| رقم ISBN (الرقم الدولي المعياري للكتاب) | 0582017238, 9780582017238 |
| عدد الصفحات | 560 من الصفحات |
| تصدير الاقتباس | BiBTeX EndNote RefMan |