The Theory of Criticism from Plato to the Present: A ReaderRaman Selden Longman, 1988 - 560 من الصفحات This book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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الصفحة 61
... reflection of reality . For this non - correspondence is merely an illusion , though a necessary one , essential and intrinsic to art . The effect of art , the as immersion of the receptant in the action of the work of art , his ...
... reflection of reality . For this non - correspondence is merely an illusion , though a necessary one , essential and intrinsic to art . The effect of art , the as immersion of the receptant in the action of the work of art , his ...
الصفحة 64
... reflection . When objective idealism seeks to rescue and establish the objectivity of art abstractly , it inevitably falls into mysticism . It is by no means accidental that the Platonic theory of art as the reflection of ' ideas ...
... reflection . When objective idealism seeks to rescue and establish the objectivity of art abstractly , it inevitably falls into mysticism . It is by no means accidental that the Platonic theory of art as the reflection of ' ideas ...
الصفحة 65
... reflection of reality or fall into idealism with all its distortions and subjectivism . The pseudo - objectivity of mechanical materialism , of the mechanical , direct imitation of the immediate world or phenomena , is thus inevitably ...
... reflection of reality or fall into idealism with all its distortions and subjectivism . The pseudo - objectivity of mechanical materialism , of the mechanical , direct imitation of the immediate world or phenomena , is thus inevitably ...
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abridged extracts actants aesthetic function Aristotle artistic Barthes beauty called century character classical Cleanth Brooks common concept consciousness culture D. H. Lawrence discourse effect Eliot emotion Erich Auerbach Essays example experience expression F. R. Leavis fact feeling fiction flâneur genius human I. A. Richards ideas ideology illocutionary acts images imagination imitation individual interpretation judgment kind knowledge language Leavis linguistic Literary Criticism literature London meaning metaphor metonymic mind modern moral narrative nature novel novelist object original particular passions person philosophical poem poet poet's poetic poetry present produced question Raymond Williams reader reading realism reality reflection relation representation rhetoric Russian Formalism semiotic sense signifier social society soul speak speech structuralist structure style sublime symbolic T. S. Eliot theory things thought tradition tragedy trans true truth understanding unity University whole words writing