The Theory of Criticism from Plato to the Present: A ReaderRaman Selden Longman, 1988 - 560 من الصفحات This book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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الصفحة 7
... represent ? What might be called the ' materialist ' view is that literature is most truthful when it represents objects as they are ' ( ' things in themselves ' ) outside the human mind . Such a view presupposes that the process of ...
... represent ? What might be called the ' materialist ' view is that literature is most truthful when it represents objects as they are ' ( ' things in themselves ' ) outside the human mind . Such a view presupposes that the process of ...
الصفحة 46
... represent men's characters , as well as what they do and suffer . There is further an art which imitates by language ... represents are actions , with agents who are necessarily either good men or bad the diversities of human character ...
... represent men's characters , as well as what they do and suffer . There is further an art which imitates by language ... represents are actions , with agents who are necessarily either good men or bad the diversities of human character ...
الصفحة 72
... represented in a factual or a fantastic form . The actors can do without ( or with the minimum of ) makeup , appearing ' natural ' , and the whole thing can be a fake ; they can wear grotesque masks and represent the truth . There is ...
... represented in a factual or a fantastic form . The actors can do without ( or with the minimum of ) makeup , appearing ' natural ' , and the whole thing can be a fake ; they can wear grotesque masks and represent the truth . There is ...
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abridged extracts actants aesthetic function Aristotle artistic Barthes beauty called century character classical Cleanth Brooks common concept consciousness culture D. H. Lawrence discourse effect Eliot emotion Erich Auerbach Essays example experience expression F. R. Leavis fact feeling fiction flâneur genius human I. A. Richards ideas ideology illocutionary acts images imagination imitation individual interpretation judgment kind knowledge language Leavis linguistic Literary Criticism literature London meaning metaphor metonymic mind modern moral narrative nature novel novelist object original particular passions person philosophical poem poet poet's poetic poetry present produced question Raymond Williams reader reading realism reality reflection relation representation rhetoric Russian Formalism semiotic sense signifier social society soul speak speech structuralist structure style sublime symbolic T. S. Eliot theory things thought tradition tragedy trans true truth understanding unity University whole words writing