The Theory of Criticism from Plato to the Present: A ReaderRaman Selden Longman, 1988 - 560 من الصفحات This book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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الصفحة 8
... representation : i . Literal or scientific representation of natural objects and social life ( Naturalism ) . ii . Generalized representation of nature or the human passions ( Classicism ) . iii . Generalized representation of nature or ...
... representation : i . Literal or scientific representation of natural objects and social life ( Naturalism ) . ii . Generalized representation of nature or the human passions ( Classicism ) . iii . Generalized representation of nature or ...
الصفحة 9
... representation which is largely derived from their allegiance to philosophical idealism , most versions of which regard external objects as a world of mere appearances , of dead ... REPRESENTATION X ཊྛ་ཏྭཱ 79 IMAGINATIVE REPRESENTATION.
... representation which is largely derived from their allegiance to philosophical idealism , most versions of which regard external objects as a world of mere appearances , of dead ... REPRESENTATION X ཊྛ་ཏྭཱ 79 IMAGINATIVE REPRESENTATION.
الصفحة 62
... representation of this portion of life . [ . . . ] No matter whether the intention in the work of art is the depiction of the whole of society or only an artificially isolated incident , the aim will still be to depict the intensive ...
... representation of this portion of life . [ . . . ] No matter whether the intention in the work of art is the depiction of the whole of society or only an artificially isolated incident , the aim will still be to depict the intensive ...
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abridged extracts actants aesthetic function Aristotle artistic Barthes beauty called century character classical Cleanth Brooks common concept consciousness culture D. H. Lawrence discourse effect Eliot emotion Erich Auerbach Essays example experience expression F. R. Leavis fact feeling fiction flâneur genius human I. A. Richards ideas ideology illocutionary acts images imagination imitation individual interpretation judgment kind knowledge language Leavis linguistic Literary Criticism literature London meaning metaphor metonymic mind modern moral narrative nature novel novelist object original particular passions person philosophical poem poet poet's poetic poetry present produced question Raymond Williams reader reading realism reality reflection relation representation rhetoric Russian Formalism semiotic sense signifier social society soul speak speech structuralist structure style sublime symbolic T. S. Eliot theory things thought tradition tragedy trans true truth understanding unity University whole words writing