The Theory of Criticism from Plato to the Present: A ReaderRaman Selden Longman, 1988 - 560 من الصفحات This book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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الصفحة 243
... rhetoric and Renaissance genre theories are obvious examples of systematic approaches to literary and oratorical discourses . The study of rhetoric was revived in the Renaissance and was applied to literature rather than to oratory . In ...
... rhetoric and Renaissance genre theories are obvious examples of systematic approaches to literary and oratorical discourses . The study of rhetoric was revived in the Renaissance and was applied to literature rather than to oratory . In ...
الصفحة 390
... rhetoric function in perfect continuity , and in passing from grammatical to rhetorical structures without difficulty or interruption . Indeed , as the study of grammatical structures is refined in contemporary theories of generative ...
... rhetoric function in perfect continuity , and in passing from grammatical to rhetorical structures without difficulty or interruption . Indeed , as the study of grammatical structures is refined in contemporary theories of generative ...
الصفحة 392
... rhetoric is then conceived exclusively as persuasion , as actual action upon others ( and not as an intralinguistic figure or trope ) , the continuity between the illocutionary realm of grammar and the perlocutionary realm of rhetoric ...
... rhetoric is then conceived exclusively as persuasion , as actual action upon others ( and not as an intralinguistic figure or trope ) , the continuity between the illocutionary realm of grammar and the perlocutionary realm of rhetoric ...
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abridged extracts actants aesthetic function Aristotle artistic Barthes beauty called century character classical Cleanth Brooks common concept consciousness culture D. H. Lawrence discourse effect Eliot emotion Erich Auerbach Essays example experience expression F. R. Leavis fact feeling fiction flâneur genius human I. A. Richards ideas ideology illocutionary acts images imagination imitation individual interpretation judgment kind knowledge language Leavis linguistic Literary Criticism literature London meaning metaphor metonymic mind modern moral narrative nature novel novelist object original particular passions person philosophical poem poet poet's poetic poetry present produced question Raymond Williams reader reading realism reality reflection relation representation rhetoric Russian Formalism semiotic sense signifier social society soul speak speech structuralist structure style sublime symbolic T. S. Eliot theory things thought tradition tragedy trans true truth understanding unity University whole words writing