The Theory of Criticism from Plato to the Present: A ReaderRaman Selden Longman, 1988 - 560 من الصفحات This book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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الصفحة 78
... rules for the ideal play or poem . In French criticism of the seventeenth century the rules became both an expression of social values and a symbol of classical orthodoxy . ' Correctness ' in art was an aspect of correctness of moral ...
... rules for the ideal play or poem . In French criticism of the seventeenth century the rules became both an expression of social values and a symbol of classical orthodoxy . ' Correctness ' in art was an aspect of correctness of moral ...
الصفحة 158
... rules not far enough extend , ( Since rules were made but to promote their end ) Some lucky licence answers to the full Th ' intent propos'd , that licence is a rule . Thus Pegasus , a nearer way to take , 150 May boldly deviate from ...
... rules not far enough extend , ( Since rules were made but to promote their end ) Some lucky licence answers to the full Th ' intent propos'd , that licence is a rule . Thus Pegasus , a nearer way to take , 150 May boldly deviate from ...
الصفحة 392
... rules determine whether the product of a - - locutionary act a sentence is well formed . . . But whereas the rules of grammar concern the relationships among sound , syntax , and meaning , the rules of illocutionary acts concern ...
... rules determine whether the product of a - - locutionary act a sentence is well formed . . . But whereas the rules of grammar concern the relationships among sound , syntax , and meaning , the rules of illocutionary acts concern ...
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abridged extracts actants aesthetic function Aristotle artistic Barthes beauty called century character classical Cleanth Brooks common concept consciousness culture D. H. Lawrence discourse effect Eliot emotion Erich Auerbach Essays example experience expression F. R. Leavis fact feeling fiction flâneur genius human I. A. Richards ideas ideology illocutionary acts images imagination imitation individual interpretation judgment kind knowledge language Leavis linguistic Literary Criticism literature London meaning metaphor metonymic mind modern moral narrative nature novel novelist object original particular passions person philosophical poem poet poet's poetic poetry present produced question Raymond Williams reader reading realism reality reflection relation representation rhetoric Russian Formalism semiotic sense signifier social society soul speak speech structuralist structure style sublime symbolic T. S. Eliot theory things thought tradition tragedy trans true truth understanding unity University whole words writing