The Theory of Criticism from Plato to the Present: A ReaderRaman Selden Longman, 1988 - 560 من الصفحات This book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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الصفحة 54
... simply an inquiry into nature , beings , and things . It no longer interests itself in the ingenuity of a well - invented story , developed according to certain rules . Imagination no longer has a place ; plot matters little to the ...
... simply an inquiry into nature , beings , and things . It no longer interests itself in the ingenuity of a well - invented story , developed according to certain rules . Imagination no longer has a place ; plot matters little to the ...
الصفحة 362
... simply to register the progress made during the last thirty years by virtue of the general development of structuralist procedures . We should also consider that it is easier to operate when two comparable inventories are at our ...
... simply to register the progress made during the last thirty years by virtue of the general development of structuralist procedures . We should also consider that it is easier to operate when two comparable inventories are at our ...
الصفحة 387
... simply inverting the dissymmetry that now has become . problematical . It is a question , rather , of producing a new concept of writing . This concept can be called gram or differance . The play of differences supposes , in effect ...
... simply inverting the dissymmetry that now has become . problematical . It is a question , rather , of producing a new concept of writing . This concept can be called gram or differance . The play of differences supposes , in effect ...
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abridged extracts actants aesthetic function Aristotle artistic Barthes beauty called century character classical Cleanth Brooks common concept consciousness culture D. H. Lawrence discourse effect Eliot emotion Erich Auerbach Essays example experience expression F. R. Leavis fact feeling fiction flâneur genius human I. A. Richards ideas ideology illocutionary acts images imagination imitation individual interpretation judgment kind knowledge language Leavis linguistic Literary Criticism literature London meaning metaphor metonymic mind modern moral narrative nature novel novelist object original particular passions person philosophical poem poet poet's poetic poetry present produced question Raymond Williams reader reading realism reality reflection relation representation rhetoric Russian Formalism semiotic sense signifier social society soul speak speech structuralist structure style sublime symbolic T. S. Eliot theory things thought tradition tragedy trans true truth understanding unity University whole words writing