The Theory of Criticism from Plato to the Present: A ReaderRaman Selden Longman, 1988 - 560 من الصفحات This book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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الصفحة 97
... things and not things words . Medieval ' schoolmen ' wove cobwebs of learning from words and failed to develop a use of language which reflected nature as in a mirror . The mind itself , he argued , is like ' an uneven mirror on which ...
... things and not things words . Medieval ' schoolmen ' wove cobwebs of learning from words and failed to develop a use of language which reflected nature as in a mirror . The mind itself , he argued , is like ' an uneven mirror on which ...
الصفحة 261
... thing that I am talking about is that which lies behind the appearance of all things that which gives to all things their individual significance , the thing in itself , the ultimate reality . And if a more or less unconscious ...
... thing that I am talking about is that which lies behind the appearance of all things that which gives to all things their individual significance , the thing in itself , the ultimate reality . And if a more or less unconscious ...
الصفحة 350
... things , even things of a very casual kind ; and it is also possible to discover whether some one has done or not done something . But the form most directly connected with the Plot and the action of the piece is the first - mentioned ...
... things , even things of a very casual kind ; and it is also possible to discover whether some one has done or not done something . But the form most directly connected with the Plot and the action of the piece is the first - mentioned ...
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abridged extracts actants aesthetic function Aristotle artistic Barthes beauty called century character classical Cleanth Brooks common concept consciousness culture D. H. Lawrence discourse effect Eliot emotion Erich Auerbach Essays example experience expression F. R. Leavis fact feeling fiction flâneur genius human I. A. Richards ideas ideology illocutionary acts images imagination imitation individual interpretation judgment kind knowledge language Leavis linguistic Literary Criticism literature London meaning metaphor metonymic mind modern moral narrative nature novel novelist object original particular passions person philosophical poem poet poet's poetic poetry present produced question Raymond Williams reader reading realism reality reflection relation representation rhetoric Russian Formalism semiotic sense signifier social society soul speak speech structuralist structure style sublime symbolic T. S. Eliot theory things thought tradition tragedy trans true truth understanding unity University whole words writing