The Theory of Criticism from Plato to the Present: A ReaderThis book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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الصفحة 107
But it is not in the power of the most exalted wit or enlarged understanding , by any quickness or variety of thought , to invent or frame one new simple idea in the mind , not taken in by the ways before mentioned ; nor can any force ...
But it is not in the power of the most exalted wit or enlarged understanding , by any quickness or variety of thought , to invent or frame one new simple idea in the mind , not taken in by the ways before mentioned ; nor can any force ...
الصفحة 206
This dialogical character of the literary work also establishes why philological understanding can exist only in a perpetual confrontation with the text , and cannot be allowed to be reduced to a knowledge of facts .
This dialogical character of the literary work also establishes why philological understanding can exist only in a perpetual confrontation with the text , and cannot be allowed to be reduced to a knowledge of facts .
الصفحة 396
( In hermeneutics , as Hirsch reminds us , a difference was often discerned between subtlety of understanding and subtlety of explication - of articulating and applying one's understanding . Gadamer , however , thinks these are or can ...
( In hermeneutics , as Hirsch reminds us , a difference was often discerned between subtlety of understanding and subtlety of explication - of articulating and applying one's understanding . Gadamer , however , thinks these are or can ...
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المحتوى
INTRODUCTION | 1 |
REPRESENTATION | 7 |
MIMESIS AND REALISM | 40 |
حقوق النشر | |
23 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
according action actual aesthetic appear artistic beauty become called century character common complete concept concerned consciousness consider criticism culture described determine direct discourse distinction effect elements emotion example existence experience expression fact feeling force function give given human ideas ideology images imagination imitation important individual interest interpretation kind knowledge language laws less linguistic literary literature living London Marxism material matter meaning mind moral nature never novel object observation organization original particular passions person philosophical play poem poet poetic poetry possible practice present Press principle produced question reader reading reality reason reference reflection relation represent representation rhetoric sense signifier simply social society speak structure style symbolic theory things thought tradition true truth understanding University whole writing