The Theory of Criticism from Plato to the Present: A ReaderRaman Selden Longman, 1988 - 560 من الصفحات This book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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الصفحة 320
... writing that can know no halt : life never does more than imitate the book , and the book itself is only a tissue of signs , an imitation that is lost , infinitely deferred . Once the Author is removed , the claim to decipher a text ...
... writing that can know no halt : life never does more than imitate the book , and the book itself is only a tissue of signs , an imitation that is lost , infinitely deferred . Once the Author is removed , the claim to decipher a text ...
الصفحة 386
A Reader Raman Selden. revealed today as the guise or disguise of a primary writing : more fundamental than that which , before this conversion , passed for the simple ' supplement to the spoken word ' ( Rousseau ) . Either writing was ...
A Reader Raman Selden. revealed today as the guise or disguise of a primary writing : more fundamental than that which , before this conversion , passed for the simple ' supplement to the spoken word ' ( Rousseau ) . Either writing was ...
الصفحة 387
... writing seems to present speech , and at the same time to erase itself before speech . Actually , it could be shown , as I have attempted to do , that there is no purely phonetic writing , and that phonologism is less a consequence of ...
... writing seems to present speech , and at the same time to erase itself before speech . Actually , it could be shown , as I have attempted to do , that there is no purely phonetic writing , and that phonologism is less a consequence of ...
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abridged extracts actants aesthetic function Aristotle artistic Barthes beauty called century character classical Cleanth Brooks common concept consciousness culture D. H. Lawrence discourse effect Eliot emotion Erich Auerbach Essays example experience expression F. R. Leavis fact feeling fiction flâneur genius human I. A. Richards ideas ideology illocutionary acts images imagination imitation individual interpretation judgment kind knowledge language Leavis linguistic Literary Criticism literature London meaning metaphor metonymic mind modern moral narrative nature novel novelist object original particular passions person philosophical poem poet poet's poetic poetry present produced question Raymond Williams reader reading realism reality reflection relation representation rhetoric Russian Formalism semiotic sense signifier social society soul speak speech structuralist structure style sublime symbolic T. S. Eliot theory things thought tradition tragedy trans true truth understanding unity University whole words writing