An Essay on the Genius and Writings of Pope ...W.J. and J. Richardson, 1806 - 8 من الصفحات |
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الصفحة 30
... turn , and incline it to thoughts and contemplations that have a relation to the object . This is the great charm of the incomparable ELEGY written in a Country Church - Yard . Having mentioned the rustic monuments and simple epitaphs ...
... turn , and incline it to thoughts and contemplations that have a relation to the object . This is the great charm of the incomparable ELEGY written in a Country Church - Yard . Having mentioned the rustic monuments and simple epitaphs ...
الصفحة 35
... turning of the walk , a statue of some VIRTUE or MUSE . It may be observed in general , that descrip- tion of the external beauties of nature , is usually the first effort of a young genius , before he hath studied manners and passions ...
... turning of the walk , a statue of some VIRTUE or MUSE . It may be observed in general , that descrip- tion of the external beauties of nature , is usually the first effort of a young genius , before he hath studied manners and passions ...
الصفحة 74
... these va- rious crowded events and incidents have been possibly introduced in a public place , exposed to the view of courtiers and the people ; while the the generality of OUR tragedies turn on parti- cular and 74 ESSAY ON THE GENIUS.
... these va- rious crowded events and incidents have been possibly introduced in a public place , exposed to the view of courtiers and the people ; while the the generality of OUR tragedies turn on parti- cular and 74 ESSAY ON THE GENIUS.
الصفحة 75
Joseph Warton. the generality of OUR tragedies turn on parti- cular and private affairs , removed from the view and notice of all men ? The Athenian spectators were ever accustomed to concern themselves in all public affairs , and to be ...
Joseph Warton. the generality of OUR tragedies turn on parti- cular and private affairs , removed from the view and notice of all men ? The Athenian spectators were ever accustomed to concern themselves in all public affairs , and to be ...
الصفحة 76
... turn which was the distinguishing characteristic of our poet's mind . An ode of Cowley , which he produced at the age of thirteen years , is of the same cast , and perhaps not in the least inferior to this of POPE . The voluminous Lopez ...
... turn which was the distinguishing characteristic of our poet's mind . An ode of Cowley , which he produced at the age of thirteen years , is of the same cast , and perhaps not in the least inferior to this of POPE . The voluminous Lopez ...
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Abelard abounds Addison admirable Æneid ancient appear Ariosto bard beautiful Boccace Boileau Cant canto celebrated character Chaucer circumstances composition Corneille critic Dante Domenichino Dryden Eclogue elegant Eloisa epic epic poetry epistle equal Essay Euripides excellent expressed eyes Fame fancy French genius Georgics grace Greek hath heroes Homer honour Horace Iliad imagery images imagination imitated introduced Italian Jane Shore king language lately Latin learned lines lively lover manner mentioned merit Milton mind nature numbers o'er observed opinion Ovid painted Paradise Lost particularly passage passion pathetic perhaps Petrarch piece Pindar poem poesy poet poetical poetry POPE praise prince propriety quæ Quintilian Racine racter reader remarkable satire says scene sentiments solemn Sophocles speaks species Spenser spirit stanza story strokes sublime sylphs Tasso taste tender Theocritus thou thought tion tragedy translated verses Virgil Voltaire words writer written
مقاطع مشهورة
الصفحة 145 - The sound must seem an echo to the sense. Soft is the strain when Zephyr gently blows, And the smooth stream in smoother numbers flows ; But when loud surges lash the sounding shore, The hoarse, rough verse should like the torrent roar...
الصفحة 224 - Be kind and courteous to this gentleman ; Hop in his walks, and gambol in his eyes ; Feed him with apricocks and dewberries, -. With purple grapes, green figs, and mulberries. The honey-bags steal from the humble-bees, And for night-tapers crop their waxen thighs, And light them at the fiery glow-worm's eyes...
الصفحة 134 - Alps we try, Mount o'er the vales, and seem to tread the sky, Th' eternal snows appear already past, And the first clouds and mountains seem the last: But, those attain'd, we tremble to survey The growing labours of the lengthen'd way, Th' increasing prospect tires our wand'ring eyes.
الصفحة 7 - Lycidas ? For neither were ye playing on the steep, Where your old Bards, the famous Druids, lie, Nor on the shaggy top of Mona high, Nor yet where Deva spreads her wisard stream : Ay me ! I fondly dream ! Had ye been there...
الصفحة 315 - But o'er the twilight groves and dusky caves, Long-sounding aisles and intermingled graves, Black Melancholy sits, and round her throws A death-like silence, and a dread repose : Her gloomy presence saddens all the scene, Shades every flower, and darkens every green ; Deepens the murmur of the falling floods, And breathes a browner horror on the woods.
الصفحة 220 - Repairs her smiles, awakens every grace, And calls forth all the wonders of her face ; Sees by degrees a purer blush arise, And keener lightnings quicken in her eyes. The busy sylphs surround their darling care, These set the head, and those divide the hair, Some fold the sleeve, whilst others plait the gown ; And Betty's prais'd for labours not her own. CANTO II. NOT with more glories, in th...
الصفحة 390 - Anon out of the earth a fabric huge Rose like an exhalation, with the sound Of dulcet symphonies and voices sweet, Built like a temple, where pilasters round Were set, and Doric pillars overlaid With golden architrave ; nor did there want Cornice or frieze, with bossy sculptures graven •, The roof was fretted gold.
الصفحة 223 - On the bat's back I do fly After summer merrily. Merrily, merrily shall I live now Under the blossom that hangs on the bough.
الصفحة 130 - From vulgar bounds with brave disorder part, And snatch a grace beyond the reach of art, Which without passing thro' the judgment, gains The heart, and all its end at once attains.
الصفحة 148 - Poets that lasting marble seek Must carve in Latin or in Greek, We write in sand, our language grows, And like the tide our work o'erflows.