Decomposition: Post-disciplinary PerformanceSue-Ellen Case, Philip Brett, Susan Leigh Foster Indiana University Press, 2000 - 225 من الصفحات The fluid nature of performance studies and the widening embrace of the idea of performativity has produced in Decomposition: Post-Disciplinary Performance a collection of great interest that crosses disciplinary lines of academic work. The essays move from the local to the global, from history to sport, from body parts to stage productions, and from race relations to global politics. |
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الصفحة 8
عذرًا، محتوى هذه الصفحة مقيَّد.
عذرًا، محتوى هذه الصفحة مقيَّد.
الصفحة 16
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عذرًا، محتوى هذه الصفحة مقيَّد.
الصفحة 17
عذرًا، محتوى هذه الصفحة مقيَّد.
عذرًا، محتوى هذه الصفحة مقيَّد.
الصفحة 21
عذرًا، محتوى هذه الصفحة مقيَّد.
عذرًا، محتوى هذه الصفحة مقيَّد.
الصفحة 32
عذرًا، محتوى هذه الصفحة مقيَّد.
عذرًا، محتوى هذه الصفحة مقيَّد.
المحتوى
Introducing Unnatural Acts | 3 |
Interpreting Body | 10 |
Performance and Identity Politics | 18 |
Black Noise White Mastery | 39 |
The Black Artists Group in St Louis | 50 |
Yayoi Kusamas Body of | 62 |
Staging Threepenny | 79 |
The Britten | 95 |
The Sexual Politics of Argentine Soccer | 111 |
Music at Home Politics Afar | 139 |
Yvonne Rainers Theory of Probability | 171 |
The Case of the Talking Vulva | 186 |
Decomposition | 201 |
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
African African American album Argentine Argentine soccer artists Asian American audience avant-garde Banco de Gaia Black Artists Group black music Boca body Brecht Britten Chinese club contemporary critical critique cultural dance Dempsey Dempsey's Digital discourse Doris electronica English essay ethnic European fans female feminist Ferrier's Figure film folksong Galeano gender heterosexual homosexual identity images imagine interview Japanese Jáuregui jazz Julius Hemphill kind koto lesbian listening live London Louis male Maradona Marks Miya Masaoka modern mother MURDER musicians Muslimgauze national team Oliver Lake opera Packard Bell Passarella performance Philip Brett play players political postmodern practices production queer racial Rainer representation Riverside roaches Routledge sample scene sexual Singapore soccer social society sodomy song sound space stage tactics Talking Vulva tion tradition trans University Press Unnatural Acts Veira visual voice vulva woman women World Saxophone Quartet Yayoi Kusama York