Cambridge University Press, 02/10/1997 - 386 من الصفحات
This is the first comprehensive study of the women in Ibsen's plays and their relationship to the women in the life and career of the playwright. Through close critical readings of the Ibsen texts, as well as the examination of such primary sources as letters and personal papers, Joan Templeton discovers how the important figures in his life (his family, wife, and the actresses themselves) influenced and informed the powerful and inspiring characters he created. Templeton also explores the importance of the early plays and their impact on the later works, and establishes some general patterns in Ibsen's general representation of women.
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
The seminal women of the early career
Love and marriage
Love and the kingdom
The poetry of feminism
Mrs Alvings ghosts
A new woman and three housewives
The glories and dangers of the rejuvenating
طبعات أخرى - عرض جميع المقتطفات
Agnes Alfred Alving Andersen asks Bardach become believe Borkman Brand called Catiline character child claim comes critical daughter dead death demands Doll House drama duty explains Eyolf father feelings female feminine feminist forced gave Ghosts give Gregers Gynt happy heart Hedda Gabler Henrik Hilda Hjørdis human husband Ibsen important insists Irene Italy kind Lady later leaves letters live looks Løvborg male marriage married Master Builder meaning mind moral mother natural never Nora Nora's Norwegian notes Oslo passion Peer person play protagonist question Rebecca refuses relation remains represents response Rita Rosmer Rubek seems sexual Society Solness Solveig Suzannah tells Tesman things tion true truth turn University Vikings wife Wild woman women write wrote young