American Elegy: The Poetry of Mourning from the Puritans to WhitmanU of Minnesota Press - 352 من الصفحات The most widely practiced and read form of verse in America, “elegies are poems about being left behind,” writes Max Cavitch. American Elegy is the history of a diverse people’s poetic experience of mourning and of mortality’s profound challenge to creative living. By telling this history in political, psychological, and aesthetic terms, American Elegy powerfully reconnects the study of early American poetry to the broadest currents of literary and cultural criticism. Cavitch begins by considering eighteenth-century elegists such as Franklin, Bradstreet, Mather, Wheatley, Freneau, and Annis Stockton, highlighting their defiance of boundaries—between public and private, male and female, rational and sentimental—and demonstrating how closely intertwined the work of mourning and the work of nationalism were in the revolutionary era. He then turns to elegy’s adaptations during the market-driven Jacksonian age, including more obliquely elegiac poems like those of William Cullen Bryant and the popular child elegies of Emerson, Lydia Sigourney, and others. Devoting unprecedented attention to the early African-American elegy, Cavitch discusses poems written by free blacks and slaves, as well as white abolitionists, seeing in them the development of an African-American genealogical imagination. In addition to a major new reading of Whitman’s great elegy for Lincoln, “When Lilacs Last in the Dooryard Bloom’d,” Cavitch takes up less familiar passages from Whitman as well as Melville’s and Lazarus’s poems following Lincoln’s death. American Elegy offers critical and often poignant insights into the place of mourning in American culture. Cavitch examines literary responses to historical events—such as the American Revolution, Native American removal, African-American slavery, and the Civil War—and illuminates the states of loss, hope, desire, and love in American studies today. Max Cavitch is assistant professor of English at the University of Pennsylvania. |
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الصفحة
... criticism. 2. American poetry, History and criticism. 3. Mourning customs in literature. 4. Griefin literature. 5. Death in literature. I. Title. PS309.E4C38 2007 811.009l35487ClC22 2006026217 Printed in the United States ofAmerica on ...
... criticism. 2. American poetry, History and criticism. 3. Mourning customs in literature. 4. Griefin literature. 5. Death in literature. I. Title. PS309.E4C38 2007 811.009l35487ClC22 2006026217 Printed in the United States ofAmerica on ...
الصفحة vii
... critics ; it matters deeply to me that they be pleased with this book . For their late readings of the entire manuscript , I owe special thanks to Chris Castiglia , Mary Loeffelholz , and Matthew Parr , as well as to certain lips ...
... critics ; it matters deeply to me that they be pleased with this book . For their late readings of the entire manuscript , I owe special thanks to Chris Castiglia , Mary Loeffelholz , and Matthew Parr , as well as to certain lips ...
الصفحة 3
... criticism continues to recognize elegy as a major literary genre and an essential agent of literary tradition , and while elegies of other periods and places have been studied intensively as objects of sociohistorical as well as ...
... criticism continues to recognize elegy as a major literary genre and an essential agent of literary tradition , and while elegies of other periods and places have been studied intensively as objects of sociohistorical as well as ...
الصفحة 4
... are so familiar , and in some ways so akin to one another , that it is easy to elide the historical and literary distance between them . process Critics and anthologists continue to do so , disregarding 4 INTRODUCTION.
... are so familiar , and in some ways so akin to one another , that it is easy to elide the historical and literary distance between them . process Critics and anthologists continue to do so , disregarding 4 INTRODUCTION.
الصفحة 5
The Poetry of Mourning from the Puritans to Whitman Max Cavitch. process Critics and anthologists continue to do so , disregarding in the the abundance and variety of elegiac poetry produced in the interim and the complexities of the ...
The Poetry of Mourning from the Puritans to Whitman Max Cavitch. process Critics and anthologists continue to do so , disregarding in the the abundance and variety of elegiac poetry produced in the interim and the complexities of the ...
المحتوى
1 | |
1 Legacy and Revision in EighteenthCentury AngloAmerican Elegy | 33 |
2 Elegy and the Subject of National Mourning | 80 |
Custodianship and Opposition in Antebellum Elegy | 108 |
Waldo Emerson and the Price of Generation | 143 |
African Americans and Elegy from Wheatley to Lincoln | 180 |
Whitman and the Future of Elegy | 233 |
Objects | 286 |
Notes | 295 |
335 | |
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عبارات ومصطلحات مألوفة
African ambivalence American elegy American Poetry antebellum Boston broadside Brown Bryant calls Cambridge century child contemporary continuity conventional Cotton Mather cultural dead death dream early eighteenth-century elegiac elegists elegy's Essays example experience expression father feeling figure Franklin Freneau funeral genre genre's George George Moses Horton grief helped Ibid idealization imagination Indian James John lament Leaves of Grass letter Library of America Lilacs Lincoln lines literary literature living loss memory Monimba mourners mourning nature pastoral Philip Freneau Phillis Wheatley poem poem's poet poet's poetic political Prose Puritan Ralph Waldo Emerson readers reading relation satire scene seems sense sentimental Sigourney slave slavery social song sorrow soul spiritual Stockton sublime suggests suicide Thanatopsis thee Thomas thou Threnody tion tradition Traubel University Press verse voice Waldo Emerson Walt Whitman Washington Wheatley's Whitefield William William Cullen Bryant writes wrote York