A Manual of the Art of Fiction: Prepared for the Use of Schools and CollegesDoubleday, Page, 1918 - 233 من الصفحات |
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الصفحة xii
... Novels ] -III . The Novelistic Mood . X. THE NOVEL , THE NOVELETTE , AND THE SHORT - STORY . Novel , Novelette , and Short - Story - The Novel and the Novelette - The Short - Story a Distinct Type - The Dictum of Poe - The Formula of ...
... Novels ] -III . The Novelistic Mood . X. THE NOVEL , THE NOVELETTE , AND THE SHORT - STORY . Novel , Novelette , and Short - Story - The Novel and the Novelette - The Short - Story a Distinct Type - The Dictum of Poe - The Formula of ...
الصفحة xiii
... novel is the prosperous parvenu of literature , and only a few of those who acknowledge its vogue and who laud its success take the trouble to recall its humble beginnings and the miseries of its youth . But like other parvenus it is ...
... novel is the prosperous parvenu of literature , and only a few of those who acknowledge its vogue and who laud its success take the trouble to recall its humble beginnings and the miseries of its youth . But like other parvenus it is ...
الصفحة xiv
... novels were under a cloud of suspicion even so far back as the days of Erasmus , in 1525. It was many scores of years there- after before the self - appointed guardians of French literature esteemed the novel highly enough to conde ...
... novels were under a cloud of suspicion even so far back as the days of Erasmus , in 1525. It was many scores of years there- after before the self - appointed guardians of French literature esteemed the novel highly enough to conde ...
الصفحة xv
... novel , since the despised form was allowed to develop naturally , spontaneously , free from all the many artificial restrictions which the dogmatists suc- ceeded in imposing on tragedy and on comedy , and which resulted at last in the ...
... novel , since the despised form was allowed to develop naturally , spontaneously , free from all the many artificial restrictions which the dogmatists suc- ceeded in imposing on tragedy and on comedy , and which resulted at last in the ...
الصفحة xvi
... novel as a form in which they could express themselves freely and by which they might hope to gain a proper reward in money as well as in fame . The economic interpretation of literary history has not received the attention it deserves ...
... novel as a form in which they could express themselves freely and by which they might hope to gain a proper reward in money as well as in fame . The economic interpretation of literary history has not received the attention it deserves ...
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عبارات ومصطلحات مألوفة
actors actual art of fiction artistic BLISS PERRY Brander Matthews chapter concrete critic definite delineating distinction drama dramatist economy of means Edgar Allan Poe element of action element of character emotional emphasis employed entire epic essay exhibit experience feel fiction-writer fictitious George Eliot George Meredith Guy de Maupassant happen Hawthorne Henry James hero imagined facts important incident individual intellect interest Jane Austen Kipling Kipling's Ligeia logical look major knot Markheim Master of Ballantrae materials matter merely method mind mood narrated narrative effect nature novel novelette novelist omniscience outset passage pattern person phases philosophic plot Poe's point of view prose purpose reader realist represent ROBERT LOUIS STEVENSON romantic sake Scarlet Letter scene sense sentence short-story single sort stand Stevenson story structure style tale technical tell Thackeray theme thing thought tion tive told truths of human unity words writer of fiction written
مقاطع مشهورة
الصفحة 28 - Master shall praise us, and only the Master shall blame ; And no one shall work for money, and no one shall work for fame ; But each for the joy of the working, and each, in his separate star, Shall draw the Thing as he sees It for the God of Things as They Are!
الصفحة 204 - And he answering said to his father, Lo, these many years do I serve thee, neither transgressed I at any time thy commandment; and yet thou never gavest me a kid that I might make merry with my friends...
الصفحة 209 - That like a broken purpose waste in air : So waste not thou ; but come ; for all the vales Await thee ; azure pillars of the hearth Arise to thee ; the children call, and I Thy shepherd pipe, and sweet is every sound, Sweeter thy voice, but every sound is sweet ; Myriads of rivulets hurrying thro' the lawn, The moan of doves in immemorial elms, And murmuring of innumerable bees.
الصفحة 84 - I WAS ever of opinion that the honest man who married and brought up a large family did more service than he who continued single and only talked of population.
الصفحة 105 - Then, when the dusk of evening had come on, and not a sound disturbed the sacred stillness of the place — when the bright moon poured in her light on tomb and monument, on pillar, wall, and arch, and most of all (it seemed to them) upon her quiet grave...
الصفحة 27 - What is character but the determination of incident? What is incident but the illustration of character? What is either a picture or a novel that is not of character? What else do we seek in it and find in it? It is an incident for a woman to stand up with her hand resting on a table and look out at you in a certain way; or if it be not an incident I think it will be hard to say what it is. At the same time it is an expression of character.
الصفحة 37 - That the novelist must write from his experience, that his "characters must be real and such as might be met with in actual life;" that "a young lady brought up in a quiet country village should avoid descriptions of garrison life...
الصفحة 200 - can I never — can I never be mistaken — these are the full, and the black, and the wild eyes — of my lost love — of the lady — of the LADY LIGEIA.
الصفحة 86 - So did his hair, just grizzled with an iron-gray, which was all brushed off his forehead, and stood bolt upright, or slightly drooped in kindred action with his heavy eyelids. So did his person, which was sleek though free from corpulency. So did his manner, which was soft and oily. In a word, even his plain black suit, and state of widower, and dangling double eyeglass, all tended to the same purpose, and cried aloud,
الصفحة 195 - For God is but a great will pervading all things by nature of its intentness. Man doth not yield him to the angels, nor unto death utterly, save only through the weakness of his feeble will.