Romantic Poets and the Culture of PosterityCambridge University Press, 02/12/1999 - 268 من الصفحات This 1999 book examines the way in which the Romantic period's culture of posterity inaugurates a tradition of writing which demands that the poet should write for an audience of the future: the true poet, a figure of neglected genius, can be properly appreciated only after death. Andrew Bennett argues that this involves a radical shift in the conceptualization of the poet and poetic reception, with wide-ranging implications for the poetry and poetics of the Romantic period. He surveys the contexts for this transformation of the relationship between poet and audience, engaging with issues such as the commercialization of poetry, the gendering of the canon, and the construction of poetic identity. Bennett goes on to discuss the strangely compelling effects which this reception theory produces in the work of Wordsworth, Coleridge, Keats, Shelley and Byron, who have come to embody, for posterity, the figure of the Romantic poet. |
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الصفحة i
Andrew Bennett. This original book examines the way in which the Romantic period's culture of posterity inaugurates a tradition of writing which demands that the poet should write ... ROMANTICISM 35 ROMANTIC POETS AND THE CULTURE Half-title.
Andrew Bennett. This original book examines the way in which the Romantic period's culture of posterity inaugurates a tradition of writing which demands that the poet should write ... ROMANTICISM 35 ROMANTIC POETS AND THE CULTURE Half-title.
الصفحة iii
Andrew Bennett. CAMBRIDGE STUDIES IN ROMANTICISM 35 ROMANTIC POETS AND THE CULTURE OF POSTERITY CAMBRIDGE STUDIES IN ROMANTICISM Professor Marilyn Butler University of Oxford.
Andrew Bennett. CAMBRIDGE STUDIES IN ROMANTICISM 35 ROMANTIC POETS AND THE CULTURE OF POSTERITY CAMBRIDGE STUDIES IN ROMANTICISM Professor Marilyn Butler University of Oxford.
الصفحة iv
... work of both younger and more established scholars , on either side of the Atlantic and elsewhere . For a complete list of titles published see end of book ROMANTIC POETS AND THE CULTURE OF POSTERITY ANDREW BENNETT CAMBRIDGE Series-title.
... work of both younger and more established scholars , on either side of the Atlantic and elsewhere . For a complete list of titles published see end of book ROMANTIC POETS AND THE CULTURE OF POSTERITY ANDREW BENNETT CAMBRIDGE Series-title.
الصفحة ix
... Romantic culture of posterity 3 Engendering posterity page x xii I 9 II 38 65 PART II 4 Wordsworth's survival 5 Coleridge's conversation 6 Keats's prescience 7 Shelley's ghosts 93 95 116 139 158 8 Byron's success Afterword Notes Index ...
... Romantic culture of posterity 3 Engendering posterity page x xii I 9 II 38 65 PART II 4 Wordsworth's survival 5 Coleridge's conversation 6 Keats's prescience 7 Shelley's ghosts 93 95 116 139 158 8 Byron's success Afterword Notes Index ...
الصفحة x
... Romantic poetry and poetics is in many ways close to my own, generously allowed me to read some of her as yet ... Romanticism series editors made significant contributions to the final shape of the book by reading and commenting on my ...
... Romantic poetry and poetics is in many ways close to my own, generously allowed me to read some of her as yet ... Romanticism series editors made significant contributions to the final shape of the book by reading and commenting on my ...
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Romantic Poets and the Culture of Posterity <span dir=ltr>Andrew Bennett</span> لا تتوفر معاينة - 1999 |
Romantic Poets and the Culture of Posterity <span dir=ltr>Andrew Bennett</span> لا تتوفر معاينة - 2006 |
عبارات ومصطلحات مألوفة
aesthetic afterlife argues articulation assertion audience body Byron canon Chatterton Clarendon Coleridge Coleridge's concern constitutes contemporary context criticism culture of posterity D'Israeli dead death declares Derrida desire discourse dissolution Don Juan Dorothy Dorothy Wordsworth eighteenth century English ephemeral epitaph essay example fact Felicia Hemans figure future Gender ghosts Harold Bloom haunting Hazlitt Hemans human Ibid imagination immortality involves Isaac D'Israeli Jacques Derrida John Keats Keats's Keatsian language Leo Bersani letter lines literal literary Literature living London mortal noise Oxford University Press paradox PBSL poem poet's poetic poetry posthumous fame posthumous recognition present Prose published quoted readers reading reception redemptive remembered reputation Robert Southey Romantic culture Romantic period Romantic poets Romantic posterity Romanticism sense Shakespeare Shelley Shelley's sound Southey speaker stanza suggest survival Talker theory Thomas thought Tintern Abbey tion trans voice William William Wordsworth women poets word Wordsworth writing